Abruzzes L'Aquila Rosciolo dei Marsi (environs) S. Maria in Valle Porclaneta3. Hutzel, Max 1960-1990 les vues extérieures de cette ancienne église abbatiale bénédictine comprennent une plaque inscrite devant le narthex ; une abside polygonale avec des détails sculpturaux foliés (XIIIe siècle) ; et des fenêtres. Les vues intérieures incluent le tombeau de Mater Niccolo et les fresques endommagées (XIIIe-XVIe siècles), mais la plupart des détails sont de la sculpture architecturale. L'écran du chœur (milieu du XIIe-XIIIe siècles) est décoré de séraphins, bustes d'apôtres en relief, formes foliées, rosettes, aigles, un lion, dragon, griffin, acanthus moldin

• Contributeur: piemags/GB24 / Alamy Banque D'Images
• ID de l’image: 2WTB63F
• Taille du fichier: 81,8 MB (3,6 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 6147 x 4650 px | 52 x 39,4 cm | 20,5 x 15,5 inches | 300dpi

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Abruzzo L'Aquila Rosciolo dei Marsi (environs) S. Maria in Valle Porclaneta3. Hutzel, Max 1960-1990 Exterior views of this former Benedictine abbey church include an inscribed plaque before the narthex; a polygonal apse with foliate sculptural details (13th century); and windows. Interior views include the tomb of Mater Niccolo and damaged frescoes (13th-16th centuries), but most coverage is of the architectural sculpture. The choir screen (mid 12th-13th centuries) is decorated with seraphim, busts of apostles in relief, foliate forms, rosettes, eagles, a lion, dragon, griffin, acanthus molding and vine scroll. The pulpit decoration consists of foliage inhabited by bearded or nude men, griffins or beasts as well as narrative relief sculpture such as Jonah coughed up by a whale and Jonah sitting under a gourd tree. The ciborium, piers and impost blocks are also decorated with figures, rosettes, dentils, quadrupeds and foliage. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.