George Morland, sa vie et ses oeuvres . icence qui a acquis son sanctuaire de libération en décembre dernier. Dawedéclare qu'en quinze mois à partir de cette époque, hésitait chaque créancier. Il a été très détestant au cours des six premiers mois de 1790, en changeant ses logements pas moins de quatre fois.^De Leicester Street il a enlevé à Tavistock Row ;jusqu'à Great St. Martins Lane,^ et subséquentlyto une localité non enregistrée (Probablement l'île de Wight), qui semble être allé vivre dans une maison en face du Lion Blanc à Paddington. Tout en vivant dans Great St. Martins Lane, il a fait la connaissance

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George Morland, his life and works . icence which procured his releasefrom sanctuary in the previous December. Dawestates that in fifteen months from that time hesatisfied every creditor. He was very resdess during the first six months of1790, changing his lodgings no fewer than four times.^From Leicester Street he removed to Tavistock Row ;thence to Great St. Martins Lane, ^ and subsequentlyto a locality not recorded (probably the Isle of Wight), whence he appears to have gone to live in a houseopposite the White Lion at Paddington. While living in Great St. Martins Lane he madethe acquaintance of his elder brother, Henry, the twobeing brought together by Collins. Of Henry Mor-land we know little, but that little is all to his credit :Collins states that he ran away from the rigours ofhome life at an early age and went to sea ; and havingspent the greater part of his life out of England, Georgehad never met him. Henry seems to have been the Dawe. ^ Collins. 90 PARTRIDGE SHOOTING (Size of original picture 15J x 20 inches.). His Life and Works only person, other than Mrs. Morhind, for whom theartist ever entertained any real regard, and it is clearthat his brother earned the right to enjoy Georgesaffection by reason of his constant, if futile, endeavoursto induce him to lead a more regular life, to say nothingof his untiring efforts to help him escape from creditors. After the frequent changes of lodging referred to, Morland grew tired of town life ; he had, when outriding, often put up his horse at the White Lion atPaddington : with his usual facility he had made afriend of the landlord, Mr. Cattel, and the place hadother attractions of a more practical kind. He wasnow devoting himself to country scenes and pictures inwhich domestic animals figured conspicuously, and theWhite Lion was the drovers house at which themen bringing cattle, sheep, etc., in to the Londonmarket were accustomed to halt their charges. Such aspot offered great facilities to a painter continually

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