. Histoires des artistes flamands et hollandais, de l'époque de la Van Eycks à la fin du XVIIe siècle. Ommission avait été donné par le roi d'Espagne pour peindre des dessins animés pour la tapisserie de tempera. La vigoureuse pensée magistrale que l'utilisation de tempera tendrait à tospoil la main de son jeune rival et enfeblehis couleur. Il a donc fini quelques smaloil-sketches, et a dit à Jordaens de les copier asdessins de la taille requise. Jordaens carriedans le travail avec toutes ses compétences habituelles, se trouva handicapé par les couleurs plus froides du tempera, et ne pouvait pas obtenir la chaleur

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. Stories of the Flemish & Dutch artists, from the time of the Van Eycks to the end of the seventeenth century . ommission had been givenhim by the King of Spain to paint some cartoonsfor tapestry in tempera. The vigorous masterthought that the use of tempera would tend tospoil the hand of his youthful rival and enfeeblehis colour. He therefore finished some smalloil-sketches, and told Jordaens to copy them ascartoons of the size required. Jordaens carriedthrough the work with all his usual skill, butfound himself handicapped by the colder coloursof the tempera, and could not obtain the warmthor the energy that was usually characteristic of hiswork. But this cannot apply to his later work, which is as full of splendour and vigour as hisearliest. He received a visit on one occasion fromNicolas Maas, who came from Dordrecht andwho had studied under Rembrandt. Maas wasa very popular portrait-painter, who had startedworking in the dark manner of his master, butsoon abandoned it for a lighter tone, finding thatbrilliant colours were more pleasing to the youngladies for whom he worked. Overwhelmed with. Nicholas Maes A SPINNER(Amsierdant) JAKOB JORDAENS 203 orders and very hard-working, he resolved tospend a holiday in travelling through his nativecountry and Belgium, and visiting the famousmen of his own profession. Going to Antwerphe found recreatiori in studying the works ofRubens and Vandyck, and among the other livingartists whom he visited was Jordaens. A pupilwho came to open the door to him led him intoa saloon full of splendid paintings; and whilewaiting for the master to appear, Maas fell toexamining them and paying great attention tothe finest of them. Jordaens was watching himas he was thus employed through the half-opendoor, and after a short time he came in andpaid him his compliments, saying that he musteither be an artist or a notable connoisseur, be-cause he had only paid attention to the bestthings. When they had talked for some timeon the subject of pain

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