International studio . ich ont survécu au système féodalsystem du Japon. Le Nihon Bijutsu Kyokai (Association des arts du Japon) a un bâtiment de son propre parc, et a récemment tenu sa cinquante-quatrième exposition semestrielle là-bas, qui, étant l'exposition de printemps, était principalement limitée à l'art appliqué, Mais il y avait de bons exemples de sculpture de bois. Mori-Hosei a montré son magistral techniijue dans son dernier•travail appelé le rassemblement De Sept Sages onKazan, un ensemble de quatre groupes en bois, illustrant une histoire classique achinoise d'un rassemblement historique des vieux sages offensés dans le renfoncement de montagne d'Haku-rak

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International studio . ich have survived the feudalsystem of Japan. The Nihon Bijutsu Kyokai (Art Association ofJapan) has a building of its own in the same park, and recently held its fifty-fourth biannual exhibi-tion there, which, being the spring exhibition, wasrestricted mainly to applied art. But there weresome good examples of wood sculpture. Mori-Hosei showed his masterly techniijue in his latest•work called The Gathering of Seven Sages onKazan, a set of four groups in wood, illustrating aChinese classic story of an historic gathering offamous old sages at the mountain recess of Haku-rakuten, a great Chinese poet, and the same artistsOugiingi has been much admired. Voshida-Homeishowed a group in wood of a boy carelessly mountedon a wild bull. Maeda-Shouns Listening to aMaster Musician—the figure of an old man listen-ing to the music of his sweet remembrances—, Matsuo-Choshuns Saint Nichiren, Vamamoto-Zuiuns Parting of the Stars, Kato-Keiuns Out inJhe Field, and Twittering Birds by Nakatani-Ganko, . were also interesting examples of wood sculpture.Among the exhibits in metal work there wereexcellent examples of chasing and inlay of gold, silver and other metals on shi/michi by Kagawa-Katsuhiro and also by Okazaki-Sessei. Asahi-Gyokuzan showed marvellous skill in inlayingnaturally coloured wood, gold, mother-of-pearl andcoral on soft kiri (Paulownia) wood in a design ofred and white plums, and a bird on a gingko tree.Fine ceramic work was exhibited by Seifu-Vohei, Yabu-Meizan, Miyagawa-Kozan, and Miura-Chiku-sen. Embroidered screens by lida-.Shinhichi and byNishimura-Sobei attracted considerable attention. wcon scii.rTiHK nv mcki ins.*.! At this exhibition considerable space was de-voted to an interesting collection of work by PrinceFumi, an aristocratic connoisseur who followed theSekishu style of chano-yu. The collection consistedof paintings, sho (chirography), and accessories forthe chano-yu, commonly known as the tea cere-mony though in fact it is an inst

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