Le Représentant et le directeur de Cabinet-Maker. Artiste : Matthieu Darly (British, ca. 1720-80 London) ; Tobias Müller (active Londres 1760) ; Johann Sebastian Müller (allemand, Nuremberg 1715-1785 Londres) ; Cornelius Heinrich Hemmerich (active la Grande-Bretagne, 18ème siècle) ; Butler (Clowes, britannique Londres actif ca. 1760-1782) ; Edward Rooker (britannique, Londres 1711-1774 Londres) ; Isaac Taylor, je (British, Worcester 1730-1807 Edmonton, Grand Londres) ; William Foster (britannique, 18e siècle) ; Thomas Morris (1750-1800), actif britannique ; James Hullett (britannique, actif 18e siècle). Artiste et éditeur : Thomas Chippend

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PAM3TM
• Taille du fichier: 36,2 MB (2 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2929 x 4325 px | 24,8 x 36,6 cm | 9,8 x 14,4 inches | 300dpi
• Photographe: Album

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The Gentleman and Cabinet-Maker's Director. Artist: Matthew Darly (British, ca. 1720-80 London); Tobias Müller (active London 1760s); Johann Sebastian Müller (German, Nuremberg 1715-1785 London); Cornelius Heinrich Hemmerich (active Britain, 18th century); Butler Clowes (British, active London ca. 1760-1782); Edward Rooker (British, London 1711-1774 London); Isaac Taylor, I (British, Worcester 1730-1807 Edmonton, Greater London); William Foster (British, 18th century); Thomas Morris (British, active 1750-1800); James Hullett (British, active 18th century). Artist and publisher: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: book: 18 1/8 x 11 3/4 x 1 7/8 in. (46 x 29.8 x 4.7 cm) page: 17 15/16 x 10 13/16 in. (45.6 x 27.5 cm). Published in: London. Publisher: Thomas Becket (London); P. A. de Hondt (London). Date: 1762. This third edition of Chippendale's "Director" is considered the most important 18th century collection of English furniture designs. In 1752, the author issued a first version aimed at cabinet-makers containing one hundred and sixty-one engraved illustrations. Here expanded to two hundred, the work caught the interest of patrons as well as craftsmen. In addition to chairs, tables, bed, bookcases, and cabinets, Chippendale added clock cases, pier glasses (mirrors), girendoles (candle holders), picture frames, stove grates, borders for paper hangings and designs for brass handles and escutcheons to adorn furniture. Ranging from French and Venetian Rococo, to Gothic and Chinese, these designs were used to create coordinated interiors in a range of styles. Museum: Metropolitan Museum of Art, New York, USA.

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