4724 x 3748 px | 40 x 31,7 cm | 15,7 x 12,5 inches | 300dpi
Date de la prise de vue:
2004
Lieu:
Southend-on-Sea, Essex, England UK
Informations supplémentaires:
Acknowledged as one of the world’s premier aerobatic teams, the Royal Air Force Aerobatic Team, The Red Arrows, is the public face of the Royal Air Force. The team are renowned throughout the world, acting as ambassadors of Great Britain. They promote the professional excellence of the Royal Air Force, assist in recruiting into the Royal Air Force, contribute to Defence Diplomacy when displaying overseas and support wider British interests through the promotion of British industry by demonstrating the capabilities of its equipment and expertise. 2012 is the 48th display season for the Red Arrows in which they will continue to enthrall, captivate and inspire millions of people both in the UK and around the world with a series of over 70 displays and flypasts at a wide variety of events. To the very second, they fly in formation over palace balconies and seaside beaches, over crowds of millions and the sheep in farmers' fields. With millions to entertain and with Concorde now grounded, Britain looks to the Royal Air Force's 'Red Arrows' Aerobatic Team as one remaining symbol to represent a truly great British institution. Richard Baker has trailed the Red Arrows - also known as the Reds - as they trained at their home airfield, in Cyprus and performing at air shows. Far from a traditional view of an aviation subject - 35mm jets and sky - his medium format cameras make an intimate and sometimes ironic reportage. He flew in formation with the team on 6 occasions shooting from the cockpit canopy while often traveling at 450mph. His pictures centre mostly on his travels and friendships with the pilots and engineers of the 100-strong team who, without exception, shared their trust and energies during his 10-month reportage. His air show observations also make for surreal side-glances at those fans who follow the patriotic red, white and blue smoke.
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Utilisation pour des reportages d’actualités, des avis et des critiques, la communication d’informations concernant des personnes, des lieux, des choses ou des événements.
Par souci de clarté, l’utilisation éditoriale exclut tout usage en rapport avec la publicité, la promotion (par exemple, des sites web promotionnels), le marketing, les emballages ou les produits dérivés.
