5760 x 3840 px | 48,8 x 32,5 cm | 19,2 x 12,8 inches | 300dpi
Date de la prise de vue:
17 avril 2015
Lieu:
dambulla
Informations supplémentaires:
Conservation at the Dambulla Temple Complex has primarily concentrated on the preservation of its mural schemes. Senake Bandaranayake reports that the schemes were cleaned during an initial conservation project during the 1960s which involved the cleaning of the murals and the application of a protective coating. Subsequent conservation strategies at the Dambulla Temple Complex (mainly since 1982) have focussed on maintaining the integrity of the existing complex which has remained unaltered since the reconstruction of the temple veranda in the 1930s. This strategy was agreed during a collaborative project between UNESCO, The Cultural Triangle Project of Sri Lanka and the Temple Authorities of Dambulla which ran from 1982-1996. As the Dambulla Temple remains an active ritual centre, the conservation plans of the 1982-1996 project were directed at improving the infrastructure and accessibility of the site in accordance with its UNESCO world heritage status. This involved the renovation of hand-cut paving within the complex and the installation of modern lighting. Further investment in the Temple's infrastructure has seen the construction of a museum and other tourist facilities located away from the historical complex. More recent inspections by UNESCO in 2003 have proposed an expansion to the existing protected zone around the complex in order to minimise damage to surrounding archaeological features. The conservation project undertaken between 1982 and 1996 focussed mainly on the preservation of the eighteenth-century mural schemes which represent around 80% of the total surviving paintings at Dambulla. By the late 1990s the majority of these schemes remained in excellent condition, with the schemes of the larger shrines (Vihara 3 and Vihara 2) still retaining most of their eighteenth-century features.
