"Rehearsal", par A. Robert, dans l'exposition internationale, 1871. « C'est certainement l'une des images les plus humoristiques de l'exposition... si honnêtement le peintre a rendu le caractère moine, si heureux qu'il a saisi les gestes et les expressions de plusieurs visages, que vous ne pouvez pas vous empêcher de vous fancer réellement entendre les notes émises par ces poumons pratiqués et les lèvres béantes ou fermement fixées... L'énergie du ténor est capitalement représentée. Regardez le tricot féroce de ses sourcils déchiquetés et la tension de l'orifice circulaire dans lequel il a composé sa bouche fo

• Contributeur: The Print Collector / Alamy Banque D'Images
• ID de l’image: 2Y3BY2K
• Taille du fichier: 44,7 MB (4,3 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4867 x 3208 px | 41,2 x 27,2 cm | 16,2 x 10,7 inches | 300dpi
• Photographe: The Print Collector

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

"Rehearsal", by A. Robert, in the International Exhibition, 1871. 'This is certainly one of the most humorous pictures in the Exhibition...So truthfully has the painter rendered the monkish character, so happily has he caught the gestures and expressions of the several faces, that you cannot help fancying you actually hear the notes emitted from those practised lungs and wide-gaping or firmly-set lips...The energy of the tenor is capitally depicted. Look at the ferocious knitting of his shaggy eyebrows and at the tension of the circular orifice into which he has composed his mouth for the production of a high note - that mode of delivery being, however, apt to engender a nasal twang. Very good, also, is the mild youth beyond, soaring, with his fresher timbre, easily to the alto, in a voice probably something between a boy's treble and a man's falsetto...Where the fault lies it is easy to see - we almost said to hear. It is to be seen by the agonised, appealing look of the leader of the choir, standing at the desk which supports the great illuminated service-books of the monastery, with his hand raised, beseeching moderation. It is also to be seen by the queer expression - half-annoyed, half-amused - of the ecclesiastic to the extreme right'. From "Illustrated London News", 1871.

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