. Shakespeare le joueur, et d'autres articles illustratifs de l'individualité de Shakespeare . o, avec beaucoup de certitude, que, likea sage et heureusement a constitué l'homme, il n'a pas négligé les intérêts personnels plus immédiats tout en se concertant avec son glorieux travail de vie. Pourtant, heureusement de forme, il y avait des influences — des considérations personnelles — qui se combinaient pour empêcher shakespeariennes de s'exprimer par le biais de lui-même en tant que grand acteur. Les influences que l'on parle d'avoir probablement aidquelque chose à faire pour obtenir ce résultat sont, jamais-à-tout, très ordinaires, tous les jours

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. Shakespeare the player, and other papers illustrative of Shakespeare's individuality . o, with much certainty, that, likea wise and happily constituted man, he did not neglecthis more immediate personal interests while concerninghimself with his glorious life-work. Yet, fortunately formankind, there were influences—personal considerations, atleast—which combined to prevent Shakespeares geniusexpressing itself through the medium of himself as a greatactor. The influences spoken of as having probably hadsomething to do in bringing about this result are, never-theless, very ordinary, every-day considerations. For onething, his work of dramatic authorship proved to be a morelucrative occupation than the actors calling. There wasevidently a greater demand for William Shakespeare, thedramatist and poet, than for that same individual who waspretty well known as belonging to a certain company of players.And if Shakespeare himself did not advertise his quality andworth in the former character, then there was one man, atleast, who did that, and chose to make money by it, too.. QUEEN ELIZABETH From the painting by Zucchero in the National Portrait Gallery, London SHAKESPEARE THE PLAYER 17 Do we not owe a modicum of gratitude—however sparinglywe may yield it—to Philip Henslowe, theatrical managerand entrepreneur, for his share in the great Shakespeareanundertakings of these days ? A grasping manager hemay have been, but in the present instance his grasp-ing was to some purpose, inasmuch as he found in therising author a mine of inestimable wealth. Containing thekind of precious metal that was wanted, he induced him, for certain considerations that, we may rest assured, werereasonable, and worth the possessing even by a poet, toyield something of his treasures. It does seem a suggestive incident that the first reallyreliable record of Shakespeares engagements as an actorshould introduce him to us as playing before his sovereign.But that was not by any means the last occ

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