1894 , Paris , FRANCE : l'actrice YVETTE GUILBERT ( 1867 – 1944 ) , modèle du plus célèbre peintre français Henry de TOULOUSE - LAUTREC ( 1864 - 1901 ) . Photo de Chalot-Camus , Paris . Elle a débuté sur scène en 1887 en tant qu'actrice dans un théâtre traditionnel de Paris, mais elle s'est rapidement installée sur les lieux de représentation les plus avant-gardistes de Montmartre. Avec sa voix de chant non conventionnelle et une silhouette intendance et haute, Guilbert était une étoile improbable des cafés-concerts de Montmartre. Cependant, son succès provient en grande partie de sa capacité à transformer ces qualités non exceptionnelles en attributs. Plutôt que s

• Contributeur: ARCHIVIO GBB / Alamy Banque D'Images
• ID de l’image: 2PAHF59
• Taille du fichier: 50 MB (1,4 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 3593 x 4866 px | 30,4 x 41,2 cm | 12 x 16,2 inches | 300dpi
• Date de la prise de vue: 1894

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1894 , Paris , FRANCE : The actress YVETTE GUILBERT ( 1867 – 1944 ) , model of most celebrated french painter Henry de TOULOUSE - LAUTREC ( 1864 - 1901 ) . Photo by Chalot-Camus , Paris . debuted on stage in 1887 as an actress in a traditional theater in Paris, but she soon moved to Montmartre's more avant-garde performance venues. With her unconventional singing voice, and an unfashionably tall and thin figure, Guilbert was an unlikely star of Montmartre's cafes-concerts. However, her success largely came from her ability to turn these unexceptional qualities into attributes. Rather than singing in a straighforward manner, Guilbert would half-sing, half-speak her ditties, earning her the title of the "diseuse fin de siecle" (end-of-the-century teller). Similarly, rather than concealing her lanky figure, Guilbert wore long black gloves and simple dresses with plunging necklines to exaggerate it, establishing herself as a stand-out from the more buxom performers. By 1890, Guilbert was appearing regularly at the Moulin Rouge, where she perfected her personal style. Her distinctive performances earned Guilbert great fame and a cult status. She became a favorite subject for artists, including Lautrec, Jules Cheret, Ferdinand Bac, and Theophile-Alexandre Steinlen, who captured the singer's sinuous lines in endless media . After making her mark at the Moulin Rouge, Guilbert went on to appear at other Montmartre establishments, including the Divan Japonais and the Ambassadeurs - ATTRICE - Moulin Rouge - GLOVES - GUANTI - FOTO STORICHE - HISTORY - ARTS - ARTE - portrait - ritratto - BELLE EPOQUE - PARIGI - TABARIN - NIGHT CLUB - chignon - TEATRO - THEATRE - THEATER ---- Archivio GBB

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