(190520) -- LONGQUAN, 20 mai 2019 (Xinhua) -- Chanson Lin montre un morceau dans sa collection de céladon Longquan classique d'encens (à gauche) et la réplique correspondante faite par lui dans l'est de la Chine, Longquan Zhejiang Province, le 20 mai 2019. Né en 1993, Song Lin est originaire de Longquan, home to China's best celadon marchandises. Il a reçu une formation professionnelle à la fois dans sa ville natale et Jingdezhen, un autre important hub porcelaine de Chine. Lin avait également suivi d'autres artisans celadon pendant des années avant la mise en place d'un studio à la maison en 2014, en se concentrant sur la réplication de l'ince celadon classique

• Contributeur: Xinhua / Alamy Banque D'Images
• ID de l’image: T9P100
• Taille du fichier: 25,9 MB (436,9 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 3500 x 2583 px | 29,6 x 21,9 cm | 11,7 x 8,6 inches | 300dpi
• Date de la prise de vue: 20 mai 2019
• Photographe: Xinhua

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

(190520) -- LONGQUAN, May 20, 2019 (Xinhua) -- Lin Song shows a piece in his collection of classical Longquan celadon incense burners (on the left) and the corresponding replica made by him in Longquan, east China's Zhejiang Province, May 20, 2019. Born in 1993, Lin Song is a native of Longquan, home to China's best celadon wares. He received professional training in both his hometown and Jingdezhen, another important porcelain hub of China. Lin had also followed other celadon artisans for years before setting up a studio back home in 2014, focusing on the replication of classical celadon incense burners. Lin's personal collection has grown to over 40 celadon incense burners, which he uses as samples for replicas. So far, more than 20 models have been successfully remade. Making replicas of classical celadon incense burners is not an easy task, says Lin. According to him, in order to revive the aura of the artifact in question, one has to undergo rounds of experiments during the whole remaking process, be it the clay base, the glazing or the form. In addition to building his own kilns, the young man has even resorted to gathering clay around ancient celadon kilns for the best possible raw material in an attempt to capture the essence of classical Longquan celadon wares. (Xinhua/Weng Xinyang)

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