1922 , New York , Etats-Unis : la chanteuse de soprano italienne CLAUDIA MUZIO ( 1889 - 1936 ) au Metropolitan Opera Theatre , dont la carrière internationale a été parmi les plus réussies du début du 20th siècle. Muzio fit ses débuts en 1910 dans le rôle-titre de Manon de Massenet, Et malgré sa jeunesse, elle a fait des progrès rapides dans les opéras italiens, menant à des déambuts à la Scala de Milan en 1913 (comme Desdemona dans Otello de Verdi), à Paris (comme Desdemona) et à Londres à Covent Garden (comme Manon Lescaut de Puccini) en 1914; Elle est restée à Londres pour chanter d'autres rôles, y compris Mimi et Tosca
3534 x 4961 px | 29,9 x 42 cm | 11,8 x 16,5 inches | 300dpi
Date de la prise de vue:
1922
Informations supplémentaires:
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1922 , New York , USA : The italian Opera soprano singer CLAUDIA MUZIO ( 1889 - 1936 ) at Metropolitan Opera Theatre , whose international career was among the most successful of the early 20th century. Muzio made her operatic debut in 1910 in the title-role of Massenet's Manon, and despite her youth she made rapid progress in the opera-houses of Italy, leading to débuts at La Scala in Milan in 1913 (as Desdemona in Verdi's Otello), in Paris (as Desdemona) and in London at Covent Garden (as Puccini's Manon Lescaut) in 1914; she stayed on in London to sing other roles including Mimi and Tosca (both with Caruso). She was invited to the Met in New York in December 1916 (for Tosca) and was so successful that she continued to appear there during six successive years. She established a special relationship with the Teatro Colón in Buenos Aires, where she first appeared in June 1919 (as Catalani's Loreley), and from then until 1934 she sang there in 23 different operas; she became known as "La Divina". Between 1922 and 1932, she also appeared regularly in Chicago (after falling out with the management at the New York Met). On October 15, 1932 she performed the title role of Tosca to inaugurate the new War Memorial Opera House in San Francisco. Other notable roles in her career included Aida, Santuzza in Cavalleria rusticana, Maddalena in Andrea Chénier, and Leonora in Il Trovatore (all in New York), and also Violetta in La Traviata and Leonora in La Forza del Destino (in Chicago and Buenos Aires). Her last and according to some critics her greatest role was in Rome in 1934 as Cecilia in the opera of that name written for her by Licinio Refice. She regularly partnered some of the leading tenors of the day Enrico Caruso, Beniamino Gigli, Martinelli , ecc. Photo by Bain , New York - THEATER - TEATRO - OPERA - cantante lirica - classica - classical - veil - velo - ANNI VENTI - 20's - '20 - necklace - collana - camerino ---- ARCHIVIO GBB
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