. Art et artistes de notre temps . ,c rt.^ v-1^ .%*- ^vkK. Év ^o^-5^ A. CAP S TERRESTRE. FHOM LA PEINTURE PAR JULIUS MA] LMARJIESS NDWYDRIC ART ET ARTISTES DE NOTRE ÉPOQUE. 281 las parfois de Calame dans son choix des sujets, mais lie a une manière beaucoup moins académique de les traiter. Cela apparaîtra dans sa chute d'eau par rapport aux chefs-d'œuvre suisses du paysage alpin; l'aspect sauvage et la désolation du paysage dépeint avec beaucoup de force, mais sans exagération de Marak, est en contraste frappant avec la tamidité de Calamesreation, et la douceur de son exécution. Marak est cependant, donc essentiellement diff

• Contributeur: Reading Room 2020 / Alamy Banque D'Images
• ID de l’image: 2CHEX21
• Taille du fichier: 7,1 MB (753,1 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1836 x 1360 px | 31,1 x 23 cm | 12,2 x 9,1 inches | 150dpi

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. Art and artists of our time . , c rt.^ v-1^ .%*- ^vkK.©v ^o^^-5^ A. LAND S CAPE. FHOM THE PAINTING BY JULIUS MA] LMARJIESS NDWYDRIC ART AND ARTISTS OF OUR TIME. 281 las sometimes of Calame in his choice of subjects, but lie has a far less academic way oftreating them. This will appear in his Waterfall as compared with the Swiss mastersAlpine Landscape; the wildness and desolation of the scenery depicted with great force, but without exaggeration by Marak, is in striking contrast with the tameness of Calamesconception, and the smoothness of his execution. Marak is, however, so essentially different. alpine landscape. FROM THE LITHOGRAPH AFTER HIS OWN PICTURE BY ALEXANDER CALAME. from Calame in the main of his subjects, that no comparison between them can be useful.The Bohemian artist belongs distinctly to the Romantic side of Art, and chooses his themesnot as a portrait-painter of nature, but as means for expressing the wild poetry that is char-acteristic of his race and which he shares to the full. He loves to depict the gathering of thestorks in the groves of elms; the mystic stone with its Runic inscription hiding in the darkoak-wood; the moon rising softly through the firs; as we look over the portfolios of his 282 ART AND ARTISTS OF OUR TIME. etchings, or the numerous engravings from his pictures, we recall the wild romantic episodesof Consuelo, that book so enchanting to boyhood, and seem to wander once more in thewoods of Rudolstadt, and to read again with delightful awe of the blasted oak, and theSchreckenstein, and the deep cavern where Zdenko and Albert led their charme

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