Art impressionniste et moderne milieu jaune de Wassily Kandinsky (1866-1944) dirige la vente d’Art impressionniste et moderne de Bonhams le jeudi 19 octobre à New Bond Street, Londres. L'œuvre fait partie de la même collection privée importante depuis plus de 30 ans, et a été détenue par Hilla von Rebay, co-fondatrice et première directrice du Musée Guggenheim de New York. Il a une estimation de 850 000 à 1 250 000 livres sterling.
6016 x 4016 px | 50,9 x 34 cm | 20,1 x 13,4 inches | 300dpi
Date de la prise de vue:
16 octobre 2023
Lieu:
Bonhams New Bond Street ,London ,UK
Informations supplémentaires:
Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.
Impressionist and Modern Art Milieu jaune by Wassily Kandinsky (1866-1944) leads Bonhams’ Impressionist and Modern Art sale on Thursday 19 October at New Bond Street, London. The work has been in the same important private collection for more than 30 years, and was once owned by Hilla von Rebay, co-founder and first director of the Guggenheim Museum in New York. It has an estimate of £850, 000-1, 250, 000. One of the pioneers of abstraction, Wassily Kandinsky was born in Moscow, and he spent his childhood in Odesa, where he graduated from Odesa Art School. After studying law and economics in Moscow, Kandinsky returned to art at the age of 30. From 1922, he taught at the Bauhaus school of art and architecture until the school was closed under the Nazis, leading Kandinsky to flee to Paris. Milieu jaune was created in 1934 at the outset of Kandinsky’s prolific Paris period. In his new studio at Neuilly-sur-Seine, Kandinsky generated a body of work that explored the complexity of form and nature. Toiling in relative seclusion, Kandinsky reaffirmed himself as a painter of abstract worlds – with Milieu jaune presenting the viewer with a celestial vision. Kandinsky had previously encouraged his students at the Bauhaus to fuse science, technology, and nature in their approaches to art and design, and in Paris in the 1930s, Kandinsky developed a fascination with the illustrations of scientific journals, fuelling his interest in the imagery of abstractions originating in nature. His new focus on scientific, biological and cosmic motifs was also inspired by his friend Paul Klee, and Surrealists such as Salvador Dalí.
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