BAROCCI, Federico Fiori (1526, Urbino, d. 1612, Urbino) vol d'Énée de Troie 1598 huile sur toile Galleria Borghese, Rome Federico Barrocci vol d'Énée de Troie avec Anchises, son fils Ascanius et sa femme Creusa est la deuxième version peinte en 1598 d'un tableau exécuté dix ans plus tôt pour l'empereur Rodolphe II d'Autriche. Le cardinal Giuliano della Rovere a remis au cardinal Scipione cette deuxième version, qui est entrée dans la collection Borghèse avant 1613. C'est cette peinture qui a inspiré le cardinal Scipione à commander un grand groupe de marbre sur le même sujet à Gian L.

• Contributeur: Carlo Bollo / Alamy Banque D'Images
• ID de l’image: 2X48PK1
• Taille du fichier: 35 MB (1,9 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4200 x 2916 px | 35,6 x 24,7 cm | 14 x 9,7 inches | 300dpi

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

BAROCCI, Federico Fiori (b. 1526, Urbino, d. 1612, Urbino) Aeneas' Flight from Troy 1598 Oil on canvas Galleria Borghese, Rome Federico Barrocci's Aeneas' Flight from Troy with Anchises, his son Ascanius and his wife Creusa is the second version painted in 1598 of a picture executed ten years earlier for Emperor Rudolf II of Austria. Cardinal Giuliano della Rovere presented Cardinal Scipione with this second version, which entered the Borghese collection before 1613. It was this painting that inspired Cardinal Scipione to commission a large marble group on the same subject from Gian Lorenzo Bernini (also in the Borghese Gallery). The myth of Aeneas, ancestor of Romulus and Remus, referred to the birth of Rome and thus confirmed the Borghese family's high status in the city. Barrocci's many drawings of nature led him to achieve a spontaneity and naturalness in movement, colour and airy effects, and a silvery luminosity that was to influence the 17th-century masters, particularly Rubens. Never before had flames been painted so close to, with an energy suggesting even the crackle of the fire, from which Ascanius seems to be protecting himself by covering his ears. But the human delicacy of Barrocci's anti-heroic and anti-rhetorical figures was not to be really appreciated in Rome, because it could not compete with the classical antique statuary. --- Keywords: -------------- Author: BAROCCI, Federico Fiori Title: Aeneas' Flight from Troy Time-line: 1551-1600 School: Italian Form: painting Type: mythological

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