Caroline Munro, m'étonne avec une série de merveilleux poses de modélisation spontanées aidées par le cadre atmosphérique de la Taverne de Ladywell, qui était au début d'un grand projet de restauration à l'époque.
Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.
Caroline Munro (born 16 January 1949) is an English actress and model known for her many appearances in horror, science fiction and action films of the 1970s and 1980s. Hammer Films Chairman, Sir James Carreras, spotted Munro on a Lamb's Navy Rum poster/billboard. He asked his assistant, James Liggett, to find and screen test her. She was promptly signed to a one-year contract. Her first film for Hammer proved to be a turning point in her career. It was during the making of Dracula AD 1972 (1972) that she decided from this film onward she was a full-fledged actress. Munro acted in Captain Kronos – Vampire Hunter (1974). Directed by Brian Clemens, she played the barefoot gypsy girl Carla. In Paramount Pictures' DVD commentary, Clemens explains that he envisioned the role as a fiery Raquel Welch-type redhead. Munro has the distinction of being the only actor ever signed to a long-term contract by Hammer Films. She turned down the lead female roles in Hammer's Dr. Jekyll and Sister Hyde (1971), Frankenstein and the Monster from Hell (1974), and the unmade Vampirella because they required nudity. Brian Clemens helped her to be cast in the role of Margiana, the slave girl in The Golden Voyage of Sinbad (1973). I got the part – I had been signed by Hammer, for one year, for a contract, out of which I did two films, one being Dracula AD 1972, and the second one being Captain Kronos – Vampire Hunter, which, kind of, would come full-circle, to Sinbad. It was written and directed by Brian Clemens, who wrote the screenplay for The Golden Voyage of Sinbad, so, I was lucky enough to be chosen for Captain Kronos, and they were searching for somebody to do Sinbad, and they wanted a big name, somebody American, or well-known, but Brian said "No". He kept lobbying Charles Schneer [producer] and Ray Harryhausen — saying: 'I think you should come and look at the rushes, and see what you think, because I think she's right'. So, they said "No", but, eventually, Brian persuaded them.
