Cinéma News and Property Gazette (1912) . la granularité du film. Thatwe, comme peut-être exceptionnellement proches étudiants et amoureux de particulièrement ceux qui montrent les scènes sur la route de la maison de théatre à Chertsey où le cambriolage a été commis Là où Sikes menace le jeune garçon qui se rétrécit sous le pont de Chertsey, et charge ostentatieusement andprime son pistolet pour frapper la peur dans sa petite victime pauvre, on peut presque imaginer la scène réelle avant un.Et, n'oublions pas, que nous qui écrivons cela ont tosee miles de film chaque semaine. Nous avons déjà évoqué l'excellente action des thecharacters en t

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Cinema News and Property Gazette (1912) . ularity of the film. Thatwe, as perhaps exceptionally close students and lovers of particularly those showing the scenes on the road to thehouse at Chertsey where the burglary was committed—where Sikes threatens the shrinking boy beneath thearch of Chertsey Bridge, and ostentatiously loads andprimes his pistol to strike fear into his poor little victim—one can almost imagine the actual scene before one.And, be it remembered, that we who write this have tosee miles of film every week. We have referred before to the excellent acting of thecharacters in this fine film, but we feel that we are notgoing too far in our eulogy when we say that it is a verylong time since we have seen such forceful and yetrestrained acting, and such expressiveness of gestureand movement, as are displayed by the actors andactresses in this piece. This becomes the higher praise when we are forced toadd that in our opinion there is a notable tendency toexaggeration in these points with many artistes, a weak-. i~ j. N Sfl IV 1 ? 1 J ^ _> „ „ r ?* Im •0 n - m Dickens, were quite unable to find a flaw in the truth ofdetail, of costume and of incident, is the best proof wecan put forward that Oliver Twist on the latest Hepwix film is a worthy representation of the Oliver Twist that Dickens penned. Can we saylore in its favour ? We doubt it !A three-reel film, and when we saw it, running inlength to some 3, 500 feet, this latest masterpiece ofthe Denman Street house deals with practically everyprominent incident in the novel, from the famous entryof Oliver into the story on the occasion of his askingfor more, to end effectively and suitably with the re-union of Oliver with the Brownlow family and theheartfelt toast they are shown drinking to future happi-ness. It would be impossible, and indeed unnecessary, in a review of this length, to attempt to record in detaileach sharply outlined scene as the one merges into theother in the pleasing manner

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