Crocodile Rattle 8th Century Maya cette figure en céramique zoomorphe a été modélisée à la main sous la forme d'un crocodile.Il fonctionne à la fois comme un sifflement, des trous d'air apparaissent devant les jambes arrière de l'animal sur sa face inférieure, et un évent d'air se trouve sous son cou, et un hochet, des pastilles d'argile se trouvent à l'intérieur de la moitié avant de la figure.Le crocodile a des paupières surélevées projetant du haut de son long museau retourné avec des narines rondes et trois dents triangulaires projetant horizontalement de chaque côté de sa bouche.Les oreilles en forme de chien, qui sont torchères et torrenantes, projettent derrière les yeux depuis l'arrière de la tête.Son

• Contributeur: MET/BOT / Alamy Banque D'Images
• ID de l’image: 2HHB0X5
• Taille du fichier: 8,3 MB (229,4 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1905 x 1525 px | 32,3 x 25,8 cm | 12,7 x 10,2 inches | 150dpi
• Date de la prise de vue: 22 janvier 2022

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Crocodile Rattle 8th century Maya This zoomorphic ceramic figure has been hand-modeled into the form of a crocodile. It functions as both a whistle—air holes appear in front of the animal's rear legs on its underside, and an air vent is found underneath its neck—and a rattle—clay pellets are inside the front half of the figure. The crocodile has raised eyelids projecting from atop its long, upturned snout with round nostrils and three triangular teeth projecting horizontally from each side of his mouth. Flopped and flaring dog-like ears project from back sides of the head behind the eyes. Its short, squat legs splay out from the underside of the body. On the two forelegs, toes have been delineated through notched and incised detail. The long, flat, wide tail features triangular notches replicating the zigzag pattern of a crocodilian tail.The surface decoration includes a wash of the vibrant indigo- and clay-based pigment known as Maya blue, which appears everywhere except the tail, legs, feet, ears, eyes, and teeth. The underside of the figure is unpainted and unadorned, although scorching/fire clouding are visible. Incised details appear below the eyes, and the top of the figurine has been covered with incised, crosshatched lines, probably meant to evoke the scaly texture of the creature's body. Lozenge-shaped lumps run in three lines down the back of the crocodile's body, beginning between the eyes (central row) and behind the ears (outer rows). These bumps allude to the nodule-like scales that protrude along the dorsal side of a crocodile. They are also referencing cacao beans, which Maya sculptors often portray as a lozenge with an axial incision. Exhibition History"FIERY POOL: The Maya and the Mythic Sea." Peabody Essex Museum, Salem, MA. March 27, 2010–July 18, 2010. (Then traveling to the Kimbell Art Museum, Fort Worth, TX. August 29, 2010-January 2, 2011; St. Louis Art Museum, St. Louis, MO. February 13, 2011–May 8, 2011)."I Maya." Palazzo Grassi s