Debout et à genoux, chiffres et études de Putti. Artiste : Francesco Curia (Italien, documenté Naples Naples 1565/70-1608). Dimensions : 7 5/8 x 11 1/4 in. (19,3 x 28,5 cm). Date : 1565-1608. Francesco Curia peut être considéré à juste titre comme l'artiste le plus pertinent dans le sud de l'Italie active pendant le seizième siècle. La présente fiche d'information est l'un des huit croquis stylo (Metropolitan Museum of Art, inv. n1970.101.4-11) figuraient dans un album contenant 97 pezzi di Francesco Curia' (97 pièces par Francesco Curia :) une fois dans la collection de Nicodème Tessin le jeune (1654-1728), puis a hérité

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PAR3TD
• Taille du fichier: 33,6 MB (1 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4157 x 2828 px | 35,2 x 23,9 cm | 13,9 x 9,4 inches | 300dpi
• Photographe: Album

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Standing and Kneeling Figures, and Studies of Flying Putti. Artist: Francesco Curia (Italian, documented Naples 1565/70-1608 Naples). Dimensions: 7 5/8 x 11 1/4in. (19.3 x 28.5cm). Date: 1565-1608. Francesco Curia can be rightly considered the most relevant artist active in Southern Italy during the Sixteenth century. The present sheet is one of eight pen sketches (Metropolitan Museum of Art, inv. nos.1970.101.4-11) figured in an album containing "97 pezzi di Francesco Curia" (97 pieces by Francesco Curia:) once in the collection of Nicodemus Tessin the Younger (1654-1728), and then inherited by his son Carl Gustav Tessin (1695-1770), the greatest Swedish collector of drawings of the Eighteenth century. It seems to have been broken up in the latter's lifetime. Eighty-two of these sheets are now in the Nationalmuseum in Stockholm; those in the Metropolitan Museum came to New York by way of a Swedish collector who acquired them from a collateral descendant of Tessin. In their studies, Per Bjurström and Walter Vitzthum have pointed out the importance of this group of drawings, which forms a touchstone for our knowledge of Francesco Curia as a draughtsman, the most relevant artist of Southern Italy in the Sixteenth century. One of the Stockholm sketches is on a letter addressed to Curia, and another is a study for a painting in the Cathedral of Naples (See here "References" and Per Bjurström, Italienska Barockteckningar, exhibition catalogue, Nationalmuseum, Stockholm, 1965, p. 21, no. 81). Museum: Metropolitan Museum of Art, New York, USA.

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• 1565 / 70-1608
• 1565-1608
• 16 16th xvi xvith sixteenth century
• 19,3 28,5cm
• 2nd millennium a d
• 7 5/8 x 11 1 / 4in
• acive
• brown ink
• craie noire
• xvi th century