Déménagement Photo Age (1920) . ht, et il haslight en elle, si l'un a les yeux tosee. Le film a été produit à theRobert Brunton studios, Los An-geles, calcarea, par le KeenanProductions Frank, Inc. ; l'histoire de Gertrude Une andscenario sont-drews, et M. Keenan. himselfdirected Voici l'histoire : Tom et Matthew King werebrothers remarquablement en face de caractère. Lorsque Tom King, pos-sessed d'un esprit d'aventure, a dérivé dans la mauvaise compagnie andwas condamné à la prison à vie, Matthieu, feehng,la honte est allé à une autre ville, établi un moulin et est devenu le leadingcitizen, bien qu'impopulaire, l'un des th

• Contributeur: The Reading Room / Alamy Banque D'Images
• ID de l’image: 2AN7BPJ
• Taille du fichier: 7,2 MB (595,6 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1444 x 1731 px | 24,5 x 29,3 cm | 9,6 x 11,5 inches | 150dpi

Informations supplémentaires

Cette image appartient au domaine public, ce qui signifie que le droit d’auteur a expiré ou que le titulaire du droit d’auteur a renoncé à ses droits. Les frais facturés par Alamy couvrent l’accès à la copie haute résolution de l’image.

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Moving Picture Age (1920) . ht, and it haslight in it, if one has eyes tosee. The film was produced at theRobert Brunton studios, Los An-geles, Cal., by the Frank KeenanProductions, Inc.; the story andscenario are by Gertrude An-drews, and Mr. Keenan himselfdirected. Here is the story: Tom and Matthew King werebrothers of strikingly opposite character. When Tom King, pos-sessed of an adventurous spirit, drifted into bad company andwas sentenced to prison for life, Matthew, feehng the disgrace, went to another town, established a mill and became the leadingcitizen, albeit an unpopular one, of the town. Matthew talked ofTom as one dead. After twenty years behind prison walls Tom was pardonedfor his_ heroic work on the night when two prisoners, hoping toescape in the confusion, started a fire- During his years in prisonTom had word of his brother and his son. Max, through his broth-ers wife, Harriet, whose sympathies were with Tom. Unheralded, he arrived in Milton and was shocked by the run-down conditionof the town.. Max, the temperamental musician, forgets his violin as he looks intothe eyes of Ruth, the steadfast and loyal. The flower shop scene. 11 Its streets were mudholes. Men loafed about the battered oldbuilding that housed a saloon. Children and women were nowhereto be seen. Lafe Weatherby, fat and dead drunk, was supportinga lamp post when Tom approached and was quickly collared by Lafe, who longed to pour his tale of woe into a sympathetic ear. Old King dont want men to work for him, complained Lafeto Tom. He can get kids and women cheaper. My old womanand the young uns work at his mill, but I got a delicate constitu-tion—-yeah! Getting away from Lafe, Tom went straight to his brothershome. It was the day that Max, aglow with enthusiasm and am-bition, had bought the violin hehad been hoarding money formonths. He had been takinglessons from old Professor Ren-aud, who taught music and rana little flower shop, presided overby his pretty granddaughter, Ruth, who p

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