. Drame dans le service religieux . très habillé, apportez des vases d'autel remplis de lys de Pâques. Easterhangings arrière de l'autel, s'ils doivent être utilisés, devrait être en place, et couvert de quelques matériaux noirs légers de sorte que ce n'est que le travail d'un moment pour les anges pour l'enlever.puis ils s'agenouillent tranquillement de chaque côté de l'autel pendant l'Episode III, jusqu'au temps pour le peoplein le pageant pour former le ressionnel, suivant le chœur quand ils tombent derrière eux. L'inondation gauche commence par le bleu et le vert comme inEpisode II; le bleu est progressivement retiré, l'ambre est ajouté, puis le vert est retiré. Le lef

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. Drama in religious service . ly dressed, bring altar vases filled with Easter lilies. Easterhangings back of the altar, if they are to be used, should be in place, and covered with some lightweight black material so that it is but the workof a moment for the angels to remove it.Then they kneel quietly on either side of thealtar during Episode III, until time for the peoplein the pageant to form the recessional, followingthe choir when they fall in behind them. The left flood starts with blue and green as inEpisode II; blue is gradually withdrawn, amber isadded, then green is withdrawn. The left floodstarts with blue with amber top, the blue iswithdrawn, and a second amber added. Whenthe cast leaves the chancel, turn the amber flood-lights on the altar, so that it is a blaze of light.If possible, have an amber spot light flood theprocession as it passes down the central aislesinging Alleluia! The rector in full vestmentsmight stand before the altar and pronounce thebenediction after the children have passed out[108]. THE C^A^XEL OF THE SECOND UNITARIAX CHURCH, BOSTON It Has a Beautiful Mosaic Over-altar Decoration which is Used as /Background for the Christmas Pageant THE CO-ORDINATED ARTS of the nave and before the nave lights are re-stored. The terrifying darkness of noonday theblack night of the entombment, and the gradualdawn of the Resurrection morning are convinc-ingly portrayed chiefly by the use of home-madefloodlights made of sixteen dishpans, into thebottom of which five or six electric sockets havebeen fastened. Miss Weller describes the mak-ing of these lights as follows: Mount the panson sections of gas piping so that they may beraised and lowered at will. The handles of thedishpan may be bent to hold the wooden framesthat are made to carry the gelatin slides. Haveholes placed in each pan just back of the handles, so that the reflectors will be well ventilated, asheat destroys the slides. The frames of ourgelatin slides were made of yard sticks, with ahal

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