. English : 'Le Kongouro' de New Holland (kangourou) 'Kangaroo' et 'Dingo' ont été commandé par Sir Joseph Banks (1743-1820) suite à sa participation sur le capitaine James Cook's premier voyage dans le Pacifique (1768-71), qui est aussi le premier voyage britannique consacrée exclusivement à la découverte scientifique. Les banques est une figure importante dans le développement de l'histoire naturelle et a été un important mécène de la science et l'art, les peintures ont été exécutées par George Stubbs (1724-1806), le peintre des animaux avant tout en Grande-Bretagne au cours du xviiie siècle, dans les deux ans de retour des banques. Ils sont les m

• Contributeur: The Picture Art Collection / Alamy Banque D'Images
• ID de l’image: P035P6
• Taille du fichier: 14,3 MB (538,1 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2584 x 1934 px | 21,9 x 16,4 cm | 8,6 x 6,4 inches | 300dpi

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. English: 'The Kongouro from New Holland' (Kangaroo) ‘Kangaroo’ and ‘Dingo’ were commissioned by Sir Joseph Banks (1743–1820) following his participation on Captain James Cook’s first voyage to the Pacific (1768–71), which was also the first British voyage devoted exclusively to scientific discovery. Banks is a major figure in the development of European natural history and was an important patron of science and the arts. Both paintings were executed by George Stubbs (1724–1806), the foremost animal painter in Britain during the 18th century, within two years of Banks’ return. They are the most significant artistic productions directly related to it, and the earliest painted representations of these iconic animals in Western art. The paintings were exhibited as a pair in London in 1773 and have remained together in the UK ever since. Cook’s ‘Endeavour’ voyage, and the two that followed (1772–75 and 1776–80), ushered in a new era of European maritime exploration that would have profound significance for the cultures, politics and societies of both explorer and explored. While far from uninterested in the economic and political possibilities of exploration, these three state-sponsored projects were motivated to a great extent by the desire to improve navigation and gain knowledge of uncharted lands, seas, peoples, plants and animals. Cook’s ships were in effect floating laboratories carrying astronomers, artists, and natural scientists as well as seamen who collected, sketched, painted, measured and recorded what they saw. The voyages both reflected and came to define the ideals of the Enlightenment and served as models for the equally ambitious British, Spanish, French and Russian voyages of exploration that followed into the Pacific. All three of Cook’s voyages produced significant scientific results. However, it was the dramatic revelations of new lands, species and peoples from the first voyage that captured the imagination of bot