Fighting Forms, 1914, huile sur toile. Peinture de Franz Marc. Dans les tout derniers travaux de Marc avant le déclenchement de la première Guerre mondiale, il est extrêmement difficile d'identifier des animaux, puisque la forme non représentative et l'abstraction ont pris le dessus. L'un des

• Contributeur: Panther Media GmbH / Alamy Banque D'Images
• ID de l’image: 2PPG9J5
• Taille du fichier: 26,1 MB (2,1 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 3619 x 2519 px | 30,6 x 21,3 cm | 12,1 x 8,4 inches | 300dpi
• Date de la prise de vue: 3 octobre 2022
• Photographe: RomanNerud

Informations supplémentaires

Fighting Forms, 1914, oil on canvas. Painting by Franz Marc. In Marc's very final works before the outbreak of the First World War, it is extremely difficult to identify any animals, since non-representational form and abstraction have taken over. One of his final major paintings is Kämpfende Formen (Fighting Forms) which is dominated by two swirling shapes, one red and the other black. Painted at the start of the Great War, Fighting Forms (1914) is clearly the product of a country at war. We see in Marc's painting two opposing forces that are very obvious. This mentality was very common during World War I because of propaganda. Propaganda drove a wedge between good and evil, right and wrong. Fighting Forms perfectly expresses this belief. As Marc explains:"Objects speak: objects possess will and form, why should we wish to interrupt them! We have nothing sensible to say to them. Haven't we learned in the last thousand years that the more we confront objects with the reflection of their appearance, the more silent they become.

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