Крестьянка GRIGORIEV, BORIS (1886-1939) Fédération paysanne, à partir de la série "Visages de Russie', signé, l'inscription 'Paris' et daté 1923, signé également, inscrit "chère Madame Atwater de son ami Boris Grigorieff New York' et numéroté '18' sur l'inverse. Crayon, Aquarelle et gouache sur carton, 37,5 par 62 cm. 200,000-300 000 GBP Provenance : don de l'artiste d'Adeline, un écrivain célèbre Atwater, un marchand d'art et militante des droits de la femme, New York, c. 1924 (inscription au verso). Collection privée, USA, du c. 1975. Fédération de peintures et oeuvres d'Art, Christie's

• Contributeur: The Picture Art Collection / Alamy Banque D'Images
• ID de l’image: P71G15
• Taille du fichier: 14,3 MB (802 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2890 x 1729 px | 24,5 x 14,6 cm | 9,6 x 5,8 inches | 300dpi
• Date de la prise de vue: 23 mars 2012

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Крестьянка GRIGORIEV, BORIS (1886-1939) Russian Peasant Woman, from the series 'Visages de Russie', signed, inscribed 'Paris' and dated 1923, also further signed, inscribed 'chère Madame Atwater de son ami Boris Grigorieff New York' and numbered '18' on the reverse. Pencil, watercolour and gouache on cardboard, 37.5 by 62 cm. 200, 000-300, 000 GBP Provenance: A gift from the artist to Adeline Atwater, a renowned writer, art dealer and women's rights activist, New York, c. 1924 (inscription on the reverse). Private collection, USA, from c. 1975. Russian Paintings and Works of Art, Christie’s New York, 18 April 2007, lot 70. Acquired at the above sale by the present owner. Private collection, UK. Exhibited: Paintings and Drawings by Boris Grigoriev, New Gallery, New York, 18 November–15 December 1923, No. 19 (label on the reverse). Exhibition of Paintings by Boris Grigoriev, Worcester Art Museum, Worcester, 4 January–3 February 1924, No. 35. Literature: Exhibition catalogue, C. Brinton, Paintings and Drawings by Boris Grigoriev, New York, New Gallery, 1923, No. 19. Exhibition catalogue, C. Brinton, Exhibition of Paintings by Boris Grigoriev, Worcester, Worcester Art Museum, 1924, No. 35, listed as Russkaya krestianka. Liki Rossii. Russian Peasant Woman belongs to the cycle Visages de Russie, an incredibly significant part of Boris Grigoriev’s oeuvre, which he painted in Paris between 1922 and 1924. It is a logical continuation of the well-known series of pictures and drawings entitled Raseya (1917–1921), – an old misspelling of Russia – begun in Russia and completed after he had emigrated. This picture in particular is based on one of the best pencil drawings in the cycle (the artist was known as a brilliant draughtsman and “magician of line”), which was reproduced in every edition of the accompanying book (Petrograd, 1918; Berlin, 1921; Berlin, 1922). Like all Raseya drawings of 1917–1918, the young peasant woman in a headscarf was 6 Bori