Javaanse hoffunctionarissen Portret van een Javaanse militaire ambtenaar Vijf Javaanse hoffunctionarissen (servietitel) Portrait d’un fonctionnaire de la cour javanaise en un mot. L'homme porte une robe indigène, tandis qu'une veste d'inspiration occidentale ou occidentale et un kris balinais sur le dos. Avec un fond solide et un simple tegelvloer. Fabricant : artiste: Fabrication anonyme: Java (possible) Date: CA. 1820 - ca. 1870 Caractéristiques physiques: Huile sur papier: Tissu: Huile de papier de coton technique de dorage: Peinture / doré Dimensions: Support: 196 h , 8 cm. B × 74,3 cm. D 4,5 cm. (Châssis et
921 x 2713 px | 7,8 x 23 cm | 3,1 x 9 inches | 300dpi
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Javaanse hoffunctionarissen Portret van een Javaanse militaire ambtenaar Vijf Javaanse hoffunctionarissen (serietitel) Portrait of a Javanese court official in a nutshell. The man is wearing native dress, while a western or western inspired jacket and a Balinese kris on the back. With solid background and a simple tegelvloer. Manufacturer : artist: anonymous place manufacture: Java (possible) Date: ca. 1820 - ca. 1870 Physical characteristics: oil on paper material: cloth: cotton paper oil gilding technique: painting / gilded Dimensions: support: 196 h , 8 cm. B × 74.3 cm. d 4.5 cm. (Frame and carrier together) ToelichtingHet painting belongs to a series of five paintings purchased. This show five Javanese court officials all over. They give different 'types' again. The ranks and functions to a court, and not necessarily portraits. The men wear native dress. Three out of five while wearing a western or western-inspired jacket. While the bodies and faces of the men and hieratic formally shown, the substances is extremely detailed and precisely painted. Dress patterns are identified by specialists and can be connected to specific regions in Java and Madura. Similarly, the krisses carrying the men on their backs and Where: three of Balinese origin: have. These paintings are unique forms of mixed culture. They exhibit both signs of a native, as a Western tradition. The style is largely indigenous, but the artist does have attempted some form of Western perspective and three-dimensionality to take over. Moreover, the medium (oil on canvas) Western. And finally, as I said, the clothing of three of the men shown a good example of the blending of Eastern and Western elements. All paintings have a similar structure, with a solid background and a simple tile floor. They are without doubt one series. Moreover, the wooden frames were originally believed to have been linked together, so they formed a screen. Probably the example of the Japanese screens from Deshima which were v
