6943 x 4801 px | 58,8 x 40,6 cm | 23,1 x 16 inches | 300dpi
Date de la prise de vue:
19 septembre 2013
Lieu:
Prague Czech Republic
Informations supplémentaires:
The spectacular reconstruction of the Pharaoh’s tomb and treasures The Tutankhamun exhibition breaks new ground in the presentation of cultural history, in general and with ancient Egypt in particular. On the one hand is the incomparable breadth of presentation with more than 1, 000 objects – perfect replicas produced under scientific supervision – TUTANKHAMUN is more complete than any previous exhibition of originals. On the other hand, there is the sumptuous arrangement of the treasures. Entering the tomb chamber, feeling like a discoverer with the unbelievable splendor right before your eyes, close enough to touch – it’s an adventure for all the senses that no visitor will forget. The tomb and the treasures – a spectacular replica A sensational discovery 90 years ago turned the unknown pharaoh Tutankhamun into a superstar. In 1922, the archaeologist Howard Carter discovered the burial chambers of the ancient Egyptian king with their vast treasures – an event that caused a worldwide sensation. The story of Tutankhamun fascinates people to this day, his mysterious and premature death giving him a unique legacy and granting him legendary status. Tutankhamun was an Egyptian pharaoh of the 18th dynasty (ruled ca. 1332 BC – 1323 BC in the conventional chronology), during the period of Egyptian history known as the New Kingdom. He is popularly referred to as King Tut. His original name, Tutankhaten, means "Living Image of Aten", while Tutankhamun means "Living Image of Amun". In hieroglyphs, the name Tutankhamun was typically written Amen-tut-ankh, because of a scribal custom that placed a divine name at the beginning of a phrase to show appropriate reverence. He is possibly also the Nibhurrereya of the Amarna letters, and likely the 18th dynasty king Rathotis who, according to Manetho, an ancient historian, had reigned for nine years—a figure that conforms with Flavius Josephus's version of Manetho's Epitome
