. L'art de la renaissance italienne; un manuel pour les étudiants et les voyageurs. e de Gattemelata à Padoue et de CoUeoni en enice. Verrocchio exprime la plus grande tension dans le siège du cavalier et le moiement du cheval. Son Colleoni est ridnig avec des jambes rigides, et le cheval pousse vers l'avant dans un wa- qui con- yous l'impression qu'il est tiré. La façon dont le connnandersbaton est saisi, et la theturn de la tête montrent l'intention de thesame. Donatello y- par contraste semble infinitehf^simple et sans prétention! Et encore une fois, hiscents hiscelloes unljroken plans, |où errocchio

• Contributeur: Reading Room 2020 / Alamy Banque D'Images
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. The art of the Italian renaissance; a handbook for students and travellers. e of Gattemelata at Padua and of CoUeoni in enice. Verrocchio expresses the utmost tension in the seat of the rider and the moyement of the horse. His Colleoni is ridnig with rigid legs, and the horse presses forward in a wa- that con- yeys the impression that it is being pulled. The manner in which the connnandersbaton is grasped, and theturn of the head show thesame intention. Donatello y- by contrast appears infinitehf^simple and unpretentious! And again, hepresents hisLlarge unljroken planes, |where errocchio breaks them up, and goes into minute details. The trappings of rrocchios horse aremeant to reduce the planes. The armour in itself, as well as thetieatment of the mane, is a ^ery instructie piece of late c|uattrocentistdecorative art. The elaboration of the muscular parts was carriedso far by the artist, that soon afterwards the criticism Mas passed that^ errocchio had made a horse from which the hide had been stripped.^ Poniponiiis Ciauricus, De Sciilpt>><--?. David, l.y vru 14 THE ART OF THE ITALIAN RENAISSANCE The danger of losing himself in petty details was clearly immi-nent. -^ Verrocchios chief title to fame is his Avork in bronze. It was in his daythat the real merits of the material were developed. ]Men set about tobreaiv np the mass, to separate the figures and to silhouette them withdelicacy. Even from the pictorial side Ijronze possessed beauties Ahich wererecognised and fully turned to account. The luxuriant wealth of folds indraperv, as in the group of fln-ist and St. Thomas at Or San Michele

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