. L'art du Louvre, qui contient une brève histoire du palais et de sa collection de peintures, ainsi que des descriptions et des critiques de beaucoup des principales images et de leurs artistes. De la République, décret bya, a accordé 615,300 francs pour l'achat à la vente du Maréchal Soults, Murillos conception. Au cours du second Empire, environ deux cents peintures des premières écoles italiennes sont venues avec l'acquisition du Musée Campana, en 1862. En plus de ces, de 1854 à 1870 133 images ont été achetées ordonated. Cela n'inclut pas le splendide CollectionLacaze de 265 photos, qui wa

• Contributeur: Reading Room 2020 / Alamy Banque D'Images
• ID de l’image: 2CEMKNA
• Taille du fichier: 7,1 MB (501,8 KB Téléchargement compressé)
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• Dimensions: 1325 x 1886 px | 22,4 x 31,9 cm | 8,8 x 12,6 inches | 150dpi

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. The art of the Louvre, containing a brief history of the palace and of its collection of paintings, as well as descriptions and criticism of many of the principal pictures and their artists. of the Republic, bya decree, granted 615, 300 francs for purchasing at theMarshal Soults sale, Murillos Conception. During the Second Empire, about two hundred paint-ings of early Italian schools came with the acquisition ofthe Campana Museum, in 1862. Besides these, from1854 to 1870 133 pictures were either purchased ordonated. This does not include the splendid CollectionLacaze of 265 pictures, which was presented *to themuseum in 1869. Since then the museum has continuedto acquire most valuable works, both by purchase anddonation, till, when the end of the nineteenth centuryapproached, it became more and more apparent thatthe old rooms were all too crowded. For long, thestudent and artist, and even the tourist, had felt that manyof the most important paintings were so badly lightedthat any real knowledge of them was quite impossible. Finally, in 1900, was completed what might well becalled a New Louvre. Everything was perfectlyarranged and accessible. It was possible to go from one. IMMACULATE CONCEPTIONBy Murillo ©tigin of tbe lPfcture*<Balleri? 35 room and one department to another without climbingstairs or, as in the old time, being forced to go outdoorsfrom one big court to another to obtain entrance. Schoolswere hung together, overcrowded walls were thinneddown, pictures hidden in dark corners were broughtout into easy light and vision. Altogether it became tosight, as it was before in intrinsic value, the mostsplendid and attractive museum in Europe. There are still changes that could be made, especiallyto give the great French collection of pictures moreroom. M. Sandier, in a recent article in ScribnersMagazine, points out that to accomplish this it may benecessary to unhouse the Ministry of the Colonies. Thataccomplished, the western door of the Rubens hall would

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