L'embrayage. Culture : Mexican. Date : 1830-50. Malgré les chiffres disproportionnés de l'homme et les canards sur la face de ce sac, dans l'ensemble la conception affiche une excellente utilisation des couleurs et de bonne maîtrise de la perspective. Probablement de faire professionnel, il fait partie de la Mexican beadwork collection de plus de 600 pièces assemblées par Elizabeth Morrow (1873-1955), mère de l'écrivain Anne Morrow Lindbergh, l'épouse du célèbre aviateur Charles Lindbergh. Morrow a recueilli les objets entre 1927 et 1930, lorsque son mari, Dwight Morrow, Sr., a servi comme ambassadeur des États-Unis au Mexique. Elle a prêté la collection à la

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PAPAF7
• Taille du fichier: 46,9 MB (2,6 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4200 x 3901 px | 35,6 x 33 cm | 14 x 13 inches | 300dpi
• Photographe: Album

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Clutch. Culture: Mexican. Date: 1830-50. Despite the disproportionate figures of the man and the ducks on the face of this bag, overall the design displays an excellent use of color and good grasp of perspective. Probably of professional make, it is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante.". Museum: Metropolitan Museum of Art, New York, USA.

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• 19thc century
• 2nd millennium a d
• collection de costumes du musée de brooklyn
• institut du costume
• mexico
• musée métropolitain d'art
• new yyork
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• toile de lin
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