La vallée de la rivière Monongahela, Washington. Artiste : John Kane (l'Amérique, West Calder, l'Écosse 1860-1934 (Pennsylvanie). Dimensions : 28 x 38 in. (71,1 x 96,5 cm). Date : 1931. John Kane est né de parents irlandais dans l'ouest de Calder, l'Écosse. À l'âge de 19 ans il est venu en Amérique, s'installe finalement à Pittsburgh, en Pennsylvanie, une ville célèbre pour ses raffineries de l'acier. Vers 1897, tout en travaillant en tant que manoeuvre, Kane a commencé à barboter dans la peinture. Depuis qu'il ne pouvait pas se permettre la dépense de l'école d'art, Kane a été un autodidacte, et son style a été diversement classés comme "naïf",

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PB19TB
• Taille du fichier: 37 MB (2,9 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4192 x 3086 px | 35,5 x 26,1 cm | 14 x 10,3 inches | 300dpi
• Photographe: Album

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

The Monongahela River Valley, Pennsylvania. Artist: John Kane (America, West Calder, Scotland 1860-1934 Pittsburg, Pennsylvania). Dimensions: 28 x 38 in. (71.1 x 96.5 cm). Date: 1931. John Kane was born of Irish parentage in West Calder, Scotland. At the age of nineteen he came to America, eventually taking up residence in Pittsburgh, Pennsylvania, a city famous for its steel refineries. About 1897, while working as a laborer, Kane began to dabble in painting. Since he could not afford the expense of art school, Kane was self-taught, and his style has been variously classified as "naïve, " "primitive, " and "folk art, " a genre that gained critical acceptance in the 1920s and 1930s. <p> "The Monongahela River Valley, Pennsylvania" is one of several paintings by Kane that celebrate the ever-growing industrialization of the American landscape during the 1930s. He was intimately acquainted with Pittsburgh's heavy industries, having worked for both the steel industry and the railroad. Despite the loss of part of a leg in a railroad-related accident, his enthusiasm for Pittsburgh's industry and landscape was never extinguished. The scene represented by the painting fairly hums with activity. Four railroad trains, one clearly marked with the name of the local rail line, Baltimore and Ohio, pass swiftly along an intricate maze of tracks, while nearby trolley cars and boxcars wait for clear passage. Echoing this movement is a large paddle-wheel steamboat pushing a barge upriver. On either side of the meandering river, the dark buildings of the steel mills spread across the landscape, their billowing smokestacks lending vertical accents to the horizontal composition. </p><p> Although Kane is known for his portraits of both himself and others, people play a subordinate role in this particular landscape. Here a railroad crew is dwarfed by the enormous buildings and vast network of tracks. Only the serene rural landscape, seen in the background, competes with the

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• 1860-1934
• 1931
• 20 th century
• 20 xx xxème siècle
• 28 x 38
• 2nd millennium a d
• 71,1 96,5 cm
• années 1930
• années 30
• lge