Lazio Viterbo Ronciglione S. Maria della Pace5. Hutzel, Max 1960-1990 Post-médiéval : architecture, sculpture, plafond et peinture murale, crucifix, tabernacle. Cette église a été commencée en 1581 et a été attribuée à Vignola ou Rainaldi. Au centre de l'autel principal se trouve une représentation de la Vierge de la paix, une fresque de l'école de Viterbese, datant du XVe siècle. De chaque côté de cette fresque centrale se trouvent des fresques de S. Augustine et S. Bartholomée du XVIIe siècle. Le long du même mur que l'autel se trouvent deux autres peintures, l'une représentant l'apparition de la Vierge à S. Francis O.

• Contributeur: piemags/GB24 / Alamy Banque D'Images
• ID de l’image: 2WT3FJC
• Taille du fichier: 69,8 MB (2 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4314 x 5658 px | 36,5 x 47,9 cm | 14,4 x 18,9 inches | 300dpi

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Lazio Viterbo Ronciglione S. Maria della Pace5. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, ceiling and wall painting, crucifix, tabernacle. This church was started in 1581 and has been attributed to Vignola or Rainaldi. In the center of the main altar is a depiction of the Madonna of Peace, a fresco of the Viterbese school, dating to the 15th century. To each side of this central fresco are frescoes of S. Augustine and S. Bartholomew from the 17th century. Along the same wall as the altar are two more paintings, one, representing the Apparition of the Madonna to S. Francis of Sales by Sebastiano Conca, and the "Madonna del Suffragio", from the 18th century. A fresco of the Madonna of the Rosary is placed in a side altar, dating from the 16th century. In another side altar is placed a wooden crucifix of the 15th century, with an 18th century addition of the Madonna Addolorata at the foot of the cross. A Renaissance tabernacle inserted into the wall, attributed to Sansovino. Antiquities: Sculpture. Roman altar of Parian marble with Renaissance additions, now used as an eucharistic tabernacle. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.