Lazio Viterbo Tarquinia Palazzo Vitelleschi5. Hutzel, Max 1960-1990 vues extérieures du palais et du musée ainsi que vues sur la cour intérieure et les voûtes intérieures. 15ème cent. architecture gothique (1436-39, 1460-90). A l'intérieur du palazzo se trouve la Cappella gentilizia, 15ème siècle, et l'antecappella, avec des fresques de l'histoire de Lucrezia alternant avec les vertus cardinales. Antiquités : phénicien : faïence. Étrusque : sarcophages ; poterie ; instruments en bronze (armes, vaisseaux, miroirs, candélabre). Bijoux en or. Masques en terre cuite, statuettes et objets votifs. Romain : statues de marbre, bronze ve

• Contributeur: piemags/GB24 / Alamy Banque D'Images
• ID de l’image: 2WTD6DD
• Taille du fichier: 92,2 MB (3,3 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 6503 x 4955 px | 55,1 x 42 cm | 21,7 x 16,5 inches | 300dpi

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Lazio Viterbo Tarquinia Palazzo Vitelleschi5. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the highest numbers on the antiquities, so that when future antiquities prints are matched with those negatives, most of the prints can keep their original Hutzel number. The number of antiquities prints listed derives from notes, and not the prints that have been matched. Also, because of the possibly missing campaign notes, the architectural and Renaissance painting prints are combined into a single numerical series, with nominal correlation to the existing Hutzel notes. General Notes: See also Marburger collection, Nos. 528-29 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by