Lazio Viterbo Viterbo Museo Civico60. Hutzel, Max 1960-1990 vues de peintures (moyen âge jusqu'au XVIIIe siècle), fresques, tabernacle, cercueil, reliefs de sculpture, fragments de portail, bustes, sculpture, tapisserie trouvés dans la Pinacothèque, galerie du deuxième étage et séquences du cloître du deuxième étage. Antiquités : nombreuses vues de fragments étrusques et romains, sculpture, sarcophages, poterie, masques, bijoux et autres objets trouvés dans la séquence du magasin (numéros d'inventaire au dos des gravures), et les séquences du Cloître, du deuxième étage, de la Valle Giulia, de la Sala Romana et de la Sala Etrusca. Notes générales : There Ar

• Contributeur: piemags/GB24 / Alamy Banque D'Images
• ID de l’image: 2WT3MJP
• Taille du fichier: 80,2 MB (1,9 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 6069 x 4616 px | 51,4 x 39,1 cm | 20,2 x 15,4 inches | 300dpi

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Lazio Viterbo Viterbo Museo Civico60. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.