Le côté artistique de la photographie dans la théorie et la pratique . et, de l'apprentissage que cette distinction dans le ton est la qualité de la photographie pure, il réalise qu'thatphotography est un moyen sérieux, avec essentialqualities de son propre, et non pas d'un whocannot de fortune pour les attirer. En second lieu, une personne qui takesup la photographie (et ce sont les personnes très onwhom l'avenir de la photographie est attractedby) dépend des impressions qui ressemblent les crayons qu'il andengravings est utilisé pour ; et, comme ces photographies, il arecalled est susceptible d'ignorer l'truequality du milieu. Dans le t

• Contributeur: The Reading Room / Alamy Banque D'Images
• ID de l’image: 2AM5D2E
• Taille du fichier: 7,2 MB (657,5 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1256 x 1990 px | 21,3 x 33,7 cm | 8,4 x 13,3 inches | 150dpi

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The artistic side of photography in theory and practice . and, learning that this distinction in tone isthe quality of pure photography, he realises thatphotography is a serious medium, with essentialqualities of its own, and not a makeshift for those whocannot draw. In the second place, an artistic person who takesup photography (and these are the very persons onwhom the future of photography depends) is attractedby the prints which most resemble the crayons andengravings that he is used to ; and, since these arecalled photographs, he is apt to overlook the truequality of the medium. In the third place, controlled photography wouldtake its proper rank and receive its proper recognition, if it were regarded as a separate craft, and not asphotography that has been interfered with. Besides, the controlled pigment process, whether ingum or oil, is a mixture of photography and manipula-tion, of the action of light and the action of the humanhand; it is of mixed origin, and has no more right tobe called photography than the child of an English- 46. BALLET-GIRLS. By R. Demachys 47 <g$ The Artistic Use of the Medium man and Hindoo has to be called a European. Sincecontrolled pigment is a complicated process, it shouldhave a complicated name; since it is a mixed process, we need not hesitate to mix our languages ; andPhotohomography * is almost as descriptive as Eurasian. VI. If only the term photohomogram wereapplied to a gum- or oil-print, the controlled pigmentprocess would take its place among the lesser forms ofartistic expression, and would become an admirablemethod for the man of leisure. Some time ago an artist invented a new method ofmonochrome, which he called monotype, andwhich had many of the qualities of gum-bichromate, with the exception of the photographic basis. Apolished copper plate was coated with moist pigment;the high lights were rubbed clean and the middle toneslightened, until a picture was formed ; from this asingle impression could be taken on a she

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