Le lac Cayuga, coude courbe. Artiste : William H. Rau (Américain, 1855-1920). Dimensions : Image : 43 x 51,9 cm (16 15/16 x 20 7/16 po.). Date : 1895-1900. Bien que William Rau est peut-être mieux connu pour ses photographies commandées par le Pennsylvania de chemins de fer, il a commencé sa carrière à l'âge de dix-neuf ans en tant que photographe sur le gouvernement des États-Unis 1874 expédition pour documenter le transit de Vénus. Un rare événement céleste, chaque passage de la planète devant le soleil permet aux scientifiques de calculer la distance de la terre du soleil. Après cette première commission Rau s'est rendu à l'ouest des États-Unis pour photographe

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PB9TRF
• Taille du fichier: 40,4 MB (1,6 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4096 x 3450 px | 34,7 x 29,2 cm | 13,7 x 11,5 inches | 300dpi
• Photographe: Album

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Cayuga Lake, Elbow Curve. Artist: William H. Rau (American, 1855-1920). Dimensions: Image: 43 x 51.9 cm (16 15/16 x 20 7/16 in.). Date: 1895-1900. Although William Rau is perhaps best known for his photographs commissioned by the Pennsylvania railroads, he began his career at age nineteen as a photographer on the 1874 U.S. government expedition to document the Transit of Venus. A rare celestial event, each passage of the planet before the sun allows scientists to recalculate the distance of the earth from the sun. After this first commission Rau traveled to the western United States to photograph the Rocky Mountains and to Egypt to photograph the monuments. He never lost his wanderlust, but in 1885 he established a successful society portrait studio in Philadelphia with his father-in-law, the photographer William Bell. In 1895 Rau was contracted by the Lehigh Valley Railroad to photograph along its new route from New York City to Niagara Falls. He made hundreds of landscape views that demonstrate the somewhat contradictory simultaneity of the late-nineteenth-century American faith in progress and technology and its love of grand scenery. This photograph shows the rail line's freshly laid track passing a formerly secluded beach on one of the large lakes north of Ithaca, New York. Although Rau's railroad work stands as the last significant nineteenth-century record of the American landscape, the Eastern scenery surveyed was already domesticated; Cayuga Lake was not a wilderness but a recreation site, popular with students and faculty at Cornell University, which had been founded at the foot of the lake in 1868. Furthermore, Rau's use of the large plate camera was virtually anachronistic as the hand-held roll-film Kodak had been invented in 1888. Museum: Metropolitan Museum of Art, New York, USA.

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• 16 15/16 20 7/16
• 1855-1920
• 1874 nous
• 1895-1900
• 19thc century
• 2nd millennium a d
• 43 x 51,9 cm
• albumen silver print
• dix-neuf ans
• épreuve à l'albumine argentique d'un négatif de verre