Le livre pratique de meubles d'époque, traitement de meubles de l'anglais, l'américain colonial et post-colonial et les principales périodes françaises . Fig. 10. Typique des supports Sheraton. Ivoire en forme de Mond, au ras de la surface de la porte ortiroir. Lorsque l'ivoire n'était pas utilisé, un bord étroit, en laiton, a pris sa place. Terminer Alors que les meubles Sheraton étaient sans doute finalisés de la même manière que celle indiquée dans les chapitres précédents, la plupart d'entre eux étaient incontestablement finalisés dans le themanner énoncé dans les propres directions de Sheratons quotedans la note de bas de page à la fin de cette section. Voici une recette de cirage

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The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 10. Typical Sheraton Mounts. mond-shaped ivory, flush with the surface of the door ordrawer. When ivory was not used a narrow, brass, flush rim took its place. FINISH While Sheraton furniture was doubtless oftenfinished in the same manner as indicated in precedingchapters, much of it was unquestionably finished in themanner set forth in Sheratons own directions quotedin the footnote at the end of this section. The following is a wax polish recipe preserved formany years in an old Philadelphia family. It may beused for a finish where the wood has been given a firstdressing of oil, but may also be profitably used as aweekly polish on any furniture: Melt a lump of bees-wax of sufficient size in a pint of turpentine over a slowfire. If a reddish colour is desired a little alkanet rootin a cheesecloth bag may be suspended for a while inthe mixture. When cool it should be of thick creamy. THOMAS SHERATON 261 consistency. Polish with a soft flannel cloth, using onlya small portion of the mixture at a time. Rub brisklybut not too hard.1 1 PoLisn— .... The method of polishing amongst cabinet-makers is various, as required in different pieces of work. Sometimes theypolish with beeswax and a cork for inside work, where it would be im-proper to use oil. The cork is rubbed hard on the wax to spread it overthe wood, and then they take fine brick-dust and sift it through a stockingon the wood, and with a cloth the dust is rubbed till it clears away allthe clemmings which the wax leaves on the surface. At other times they polish with soft wax, which is a mixture of tur-pentine and beeswax, which renders it soft and facilitates the work ofpolishing. Into this mixture a little red oil may occasionally be put, tohelp the colour of the wood. This kind of polishing requires no brick-dust, for, the mixture being soft, a cloth of itself wil

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