. Le magazine de l'histoire américaine avec des notes et des requêtes. Original dans la com-position des effets dans ses images. Les particularités qui distinguent le génie hispanique dans la peinture sont perceptibles dans son discours. Je vous demande quoi que vous ayez apporté ici ? il a commencé brusquement. Pourquoi m'avez-vous demandé de vous aider ? Parce que, j'ai répondu, mon coeur a parlé au vôtre. C'est exactement, parce que nous avons quelque chose en commun. Il y a un lien de sympathyentre nous. Je suis tout à fait sûr que sur beaucoup de points, nos esprits seraient d'accord, LES SPARTANS DE PARIS 99 et pourtant nous avons discuté de quelques questions jusqu'à présent. Je crois en l'hérédité.nous sommes ce qui

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. The magazine of American history with notes and queries. original in the com-position of effects in his pictures. The peculiarities which distinguish hisgenius in painting are noticeable in his discourse. I ask you whatbrought you here? he began abruptly. Why did you ask me to dinewith you? Because, I replied, my heart spoke to yours. That is it exactly—because we have something in common. There is a bond of sympathybetween us. I am quite sure that on many points our minds would agree, THE SPARTANS OF PARIS 99 and yet we have discussed few questions as yet. I believe in heredity.We are what the melange of our ancestors has made us. For instance, my grandfather was a Roumanian and my grandmother was a Burgun-dian. Ah ! I said. Here we have the secret of the rich and generouscolors which glow upon your canvas. The Eastern sun, and the warmhalo which belong to fruitful Burgundy are there combined. Yes, thatis true, but one must have a sympathetic medium. For instance, there isa cold, hard panel. I might work day and night upon it, but I could. M. EDMOND DE GONCOURT. never imbue it with life and sweetness. I could paint upon it a cask, which would be faithful to its hard outlines. But here is a soft, yielding, friendly bit of canvas. To it I can transfer all the glow and reality of thesoul, whether it be expressed in flowers, or in buildings built with hands, or in the changing glories of a declining sun. Ascending by steep and devious routes to the roof, we found ourselvesupon a wooden platform commanding a view of Paris and its environs. From hence, said M. Ziem, I run my geographical lines to thoseplaces which interest me or my friends. You lived seven years at Athens.Well, the city of the Violet Crown lies over there. I know the direction, for my Venice lies in that pathway. 100 THE SPARTANS OF PARIS I finally issued from this extraordinary abode, carrying with me a bitof M. Ziems sunshine, entitled Palais Barberini, Grand Canal, Venise, 3.30 P.M., 7 Juin, 1881, and h

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