. Le Open court . son développement. Les bains, les tombeaux, les palais de Delhi, de Lahore, ofAgra, sont encore, dédaspérés comme tant d'entre eux sont par le vandalisme étranger greedor indigène, l'émerveillement et l'admiration de tous les voyageurs de l'Ouest. Après de longues souffrances, les peuples du sud de l'Europe ont jeté le joug détesté du vrai croyant. Toujours tous les Europewas du sud inoculés avec l'apprentissage, l'art du Mohammaan. L'INFLUENCE DE L'ART ORIENTAL. 613 Ajouter cette influence à celle déjà notée, le byzantin, et vous aurez une certaine idée du penchant il y avait vers l'orientalisme. Puis Christendom, en

• Contributeur: Reading Room 2020 / Alamy Banque D'Images
• ID de l’image: 2CDC2HH
• Taille du fichier: 7,1 MB (600,6 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1880 x 1329 px | 31,8 x 22,5 cm | 12,5 x 8,9 inches | 150dpi

Informations supplémentaires

Cette image appartient au domaine public, ce qui signifie que le droit d’auteur a expiré ou que le titulaire du droit d’auteur a renoncé à ses droits. Les frais facturés par Alamy couvrent l’accès à la copie haute résolution de l’image.

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

. The Open court . its develop-ment. The baths, the tombs, the palaces of Delhi, of Lahore, ofAgra, are still, despoiled as so many of them are by native greedor foreign vandalism, the wonder and admiration of all westerntravelers. After long suffering the peoples of southern Europe threw offthe hated yoke of the true believer. Still all southern Europewas inoculated with the learning, the art of the Mohammedan. THE INFLUENCE OF ORIENTAL ART. 613 Add this influence to that already noted, the Byzantine, and youwill have some idea of the leaning there was toward Orientalism. Then Christendom, encouraged by its deliverance from thescourge of Islamism, carried its advantage still further, even intothe land of the enemy. It became the invader, determined to wrestthe Holy Sepulcher from the Saracen—together with whatever port-able belongings the latter might not be able to hold onto. The Crusaders brought back not only plunder, but the habits, the luxuriousness of their old foes. They were captivated by all. PAILOW OF THE GARDEN OF THE HALL OF CLASSICS, PEKING, CHINA. Oriental in strictest sense of the term, coincident with though hardly in-fluenced by the art of India and of Babylon. Copyright 1907 by H. G. Ponting. By courtesy of the Bausch &Lomb Optical Company. they had seen in the Orient, they employed artists from the Eastto build their castles, their great public buildings, aye, even theirsacred edifices. And thus was added another mesh to the alreadystout lashings that held the artistic world bounden to the Orient. The men of the fifteenth century believed they had forever out-grown that influence, when they again began to copy in season andout of it, and with little skill, the stately models of classic Greece, or the florid creations of imperial Rome ; an influence so potent. 614 THE OPEN COURT. however, that even we of far-off America, and in this late genera-tion, still feel its thralldom.

Recherche dans la banque de photos par tags

• bookcentury1800
• bookubjectreligion
• bookyear1887