Les peintres de Florence à partir du xiiie au xvie siècle, est aujourd'hui ide . Dans la Galerie des Offices, et dessins originaux, ainsi que plusieurs l'studiesof des chiffres différents, sont encore conservés dans la même collection. Mais avant que le travail était terminé, une autre révolution avait eu lieu. Le Medicireturned encore, et l'éphémère rêve de plus libertywas. Finalement, la caricature a purchasedby Ottaviano de Médicis, un FraBartolommeos chaud admirateur de l'art, et placés dans l'église de S.Lorenzo. En 1514, Fra Bartolommeo écouté ses urgent friendRaphaels supplications, et a effectué une visite à Rom

• Contributeur: The Reading Room / Alamy Banque D'Images
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• Dimensions: 1383 x 1807 px | 23,4 x 30,6 cm | 9,2 x 12 inches | 150dpi

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The painters of Florence from the thirteenth to the sixteenth century . ide, is now in the Uffizi, andthe original drawings, together with several studiesof the different figures, are still preserved in thesame collection. But before the work was finished, another revolution had taken place. The Medicireturned again, and the short-lived dream of libertywas over. Eventually the cartoon was purchasedby Ottaviano de Medici, a warm admirer of FraBartolommeos art, and placed in the church of S.Lorenzo. In 1514, Fra Bartolommeo listened to his friendRaphaels urgent entreaties, and paid a visit to Rome, where he was the guest of Fra Mariano Fetti, thekeeper of the papal seals, at the Dominican convent ofS. Silvestro on the Quirinal. But the climate affectedhis health, and at the end of two months he left Rome, seriously ill with malarial fever, and was sent by hisSuperior to the country hospital of the Dominicansat Pian di Mugnone. During the next two years, inspite of failing health and frequent returns of fever, FraBartolommeos activity was greater than ever. The. GROUP FROM THE MADONXA DELLA MISERICORDIA (LUCCA).FRA BARTOLOMMKO. [ To /cu:e page 296 rSi7] MADONNA AT LUCCA 297 colossal St. Mark, of the Pitti, a figure evidently in-spired by the sight of Michelangelos prophets inthe Sistina, was painted in 1514, as well as anude St. Sebastian, which hung for some timein San Marco. This figure, however, offended someof the more scrupulous friars, and was eventuallysold to the French kings agent, Giovanni Battistadella Palla. In 1515, the artist completed the An-nunciation, in the Louvre, and the Apostles Peterand Paul, in the Quirinal, which he presented to hishost, Fra Mariano, and which, according to Vasari, were retouched by Raphael at the painters request.And in the same year, at the wish of the Dominicanfriars of the convent of San Romano at Lucca, hepainted the great canvas of the Madonna della Miseri-cordia, with the lovely groups of women and childrenamong the crowd of

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