Les pièces de William Shakespeare, tome 1, contenant la tempête, deux gentilshommes de Vérone, Joyeuses Commères de Windsor. Auteur : William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Dimensions : 8 9/16 x 5 9/16 x 1 1/2 in. (21,8 x 14,2 x 3,8 cm). Éditeur : Alexander Chalmers, H (British (né en Écosse), Aberdeen 1759-1834 Londres) ; George Steevens (British, Stepney 1734-1800 Hampstead). Graveur : James Neagle (britannique, Londres 1765- 1822 Philadelphie, Pennsylvanie) ; William Bromley (britannique, 1769-1842). Illustrateur : Henry Fuseli (Suisse, Zürich 1741-1825 Londres). Imprimante :

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PAXPA9
• Taille du fichier: 38,3 MB (1,5 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4200 x 3188 px | 35,6 x 27 cm | 14 x 10,6 inches | 300dpi
• Photographe: Album

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

The Plays of William Shakespeare, vol. 1, containing The Tempest, Two Gentlemen of Verona, Merry Wives of Windsor. Author: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Dimensions: 8 9/16 x 5 9/16 x 1 1/2 in. (21.8 x 14.2 x 3.8 cm). Editor: Alexander Chalmers, A.M. (British (born Scotland), Aberdeen 1759-1834 London); George Steevens (British, Stepney 1734-1800 Hampstead). Engraver: James Neagle (British, London 1765- 1822 Philadelphia, Pennsylvania); William Bromley (British, 1769-1842). Illustrator: Henry Fuseli (Swiss, Zürich 1741-1825 London). Printer: C. and R. Baldwin (London). Published in: London. Publisher: F. C. & J. Rivington (London); John Johnson (London). Date: 1805. Fuseli designed the illustrations in this ten-volume set of Shakepeare's plays, edited by George Steevens and published in 1803. Bromley's print for The Merry Wives of WIndsor responds to act 5, scene 5, where Falstaff meets Mistress Ford and Mistress Quickly in WIndsor Great Park at night. The print translates a loose sketch in the Museum's collection (1975.131.232) into a tightly controlled image with no detail left to the imagination. A high degree of finish was expected from a good reproductive engraver in this period, and details of dress and expression have been added to clarify the narrative. The ladies' turned heads indicate their awareness of the approaching townsfolk, as their flirtatious gestures distract Falstaff from his coming humiliation. Museum: Metropolitan Museum of Art, New York, USA.

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• 21,8 14,2 3,8 cm
• 2nd millennium a d
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