Manteau de soirée ca.1890 Maison de la valeur française ce manteau de soirée représente ce que la Maison de la valeur a été à l'origine connu pour, élégante simplicité.La caractéristique la plus intéressante de ce manteau est la façon dont les plumes ont été appliquées avec soin pour imiter l'agneau perse.Charles Frederick Worth est né en Angleterre et a passé son jeune âge adulte à travailler pour des marchands de textile à Londres tout en étudiant l'histoire de l'art dans les musées.En 1845, il déménage à Paris et travaille comme vendeur et couturier avant de s'associer avec Otto Bobergh pour ouvrir la boutique de couture, Worth et Bobergh, en 1858.Ils étaient bientôt reconnaissances

• Contributeur: MET/BOT / Alamy Banque D'Images
• ID de l’image: 2HH74G3
• Taille du fichier: 31,7 MB (683,4 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2766 x 4000 px | 23,4 x 33,9 cm | 9,2 x 13,3 inches | 300dpi
• Date de la prise de vue: 21 janvier 2022

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Evening coat ca. 1890 House of Worth French This evening coat represents what the House of Worth was originally known for, elegant simplicity. The most interesting feature of this coat is the way the feathers have been carefully applied to mimic Persian lamb. Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century.Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to im