'Nushirvan accueille le Khaqan's Daughter', Folio 633v de l'Shahnama (Livre des Rois) de Shah Tahmasp. Artiste : peinture attribuée à Muhammad de poussière. Auteur : Abu'l Qasim Firdausi (935-1020). Dimensions : Peinture : H. 7 3/8 x 7 in. de W. (H. 18,7 x 17,8 cm) W. Page entière : H. 18 x 12 5/8 W. 7/16 in. (H. 47,3 x 31,6 cm.) W. Date : ca. 1530-35. Lorsque le Khaqan de Chin a pris connaissance de la grandeur et de la puissance de la Shah d'Iran, il a décidé de former une alliance et a offert une de ses filles en mariage au ciment. Nushirvan ont accepté l'offre, mais a envoyé un émissaire sage de choisir le meilleur de l'Kha

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PB1HP6
• Taille du fichier: 37,2 MB (3,6 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2954 x 4400 px | 25 x 37,3 cm | 9,8 x 14,7 inches | 300dpi
• Photographe: Album

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

"Nushirvan Greets the Khaqan's Daughter", Folio 633v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Dust Muhammad. Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 3/8 x W. 7 in. (H. 18.7 x W. 17.8 cm) Entire Page: H. 18 5/8 x W. 12 7/16 in. (H. 47.3 x W. 31.6 cm). Date: ca. 1530-35. When the Khaqan of Chin became aware of the greatness and power of the Iranian shah, he determined to form an alliance and offered one of his daughters in marriage to cement it. Nushirvan accepted the offer, but sent a wise envoy to choose the best of the Khaqan's five daughters. Four were descended from slaves, while the mother of the fifth was a princess. This daughter was the Khaqan's favorite and he did not wish to lose her. Despite the attempt by the girl's mother to dress her poorly, her superior breeding and beauty were obvious and soon she left for Iran, where Nushirvan was overcome with astonishment at her loveliness. The distinctive style of Dust Muhammad, a second-generation Shahnama artist, is evident in the elongated silhouettes of the figures and the flattened profile of the servant in the foreground. Museum: Metropolitan Museum of Art, New York, USA.

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• 1530-35
• 16 16th xvi xvith sixteenth century
• 17,8 cm
• 18,7
• 2nd millennium a d
• 7 3/8 xw
• accettando
• alliance
• asie
• xvi th century