Ombrie Pérouse San Giacomo di Spoleto S. Giacomo7. Hutzel, Max 1960-1990 une vue extérieure et de nombreux négatifs de cette église du XIIIe siècle. Les vues intérieures se concentrent sur l'abside et les fresques de la chapelle latérale. Dans l'abside : préparation Mary Magdalen, préparé Apollonia, composé Jacques et deux de ses miracles, le couronnement de la Vierge. Dans la Cappella S. Sebastiano : préparé Sebastian, préparé Roch et le pape Grégoire (1528 fresques de Lo Spagna). À droite de l'abside : la Vierge, les Anges, les Saints Pierre, Anthony Abbot et Barthélemy. Aussi vues de peintures d'autel, reliquaires, crucifix doré, et deux bougeoirs en bois /

• Contributeur: piemags/GB24 / Alamy Banque D'Images
• ID de l’image: 2WT60KG
• Taille du fichier: 70,5 MB (2,7 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4337 x 5680 px | 36,7 x 48,1 cm | 14,5 x 18,9 inches | 300dpi

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Umbria Perugia San Giacomo di Spoleto S. Giacomo7. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.