. Paris à Londres : 1902, Earl's court : guide officiel et catalogue : directeur général Imre Kiralfy . exposition instructive, nous sommes bientôt à l'entrée et gt;f l'Empress Theatre, La plus grande structure de ce genre dans le monde, il a tout le vaste aréna dont est cette année consacrée à l'exposition théemarkable connue sous le nom de Palais du Costume, hich a créé tout à fait une fureur à la grande exposition de Paris de 1900. An)pportportunicité est ici offert au visiteur d'inspecter la plus variée et la collection de vêtements et d'accessoires jamais mis à togehern n'importe quelle partie du monde. L'histoire de la robe t

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. Paris in London : 1902, Earl's Court : official guide and catalogue : director general Imre Kiralfy . instructive exhibit, we are soon at the entrance>f the Empress Theatre, the largest structure of its kind in the world, he whole of the vast arena of which is this year devoted to theemarkable display known as The Palais du Costume, hich created quite a furore at the great Paris Exposition of 1900. An)pportunity is here afforded the visitor of inspecting the most varied andnagnificent collection of apparel and accessories ever brought togethern any part of the world. The history of dress through all the ages is/ividly illustrated in a series of brilliant tableaux, the variouseatures of which are dealt with in greater detail in another part of thejuide. From the feminine standpoint perhaps the most interestingtern of the whole display is the collective exhibit of PARISIAN CREATIONS OF TO-DAY, 3ontributed by the leading costumiers of the French capital. It may bementioned that the furniture in various tableaux has been supplied byMessrs. Maple & Co., Ltd., of Tottenham Court Road.. Again, pawing through the Central Hall, and turning to the left, we find ottrtelves in the Royal Galleries surrounding the Imperial 32 Court, in which are housed the treasures of French Fine Artembraced in the French Fine Art Section. Thanks to the efforts of two French Committees comprising thegreatest of living French artists, there has been brought together in theRoyal Galleries at Earls Court this year by far the finest and mostrepresentative Modern French Art Collection ever witnessed outsideParis, Detailed particulars of the pictures, etc., will be found else-where. Passing out into the Imperial Court we find the familiar area withits chaste architecture, tastefully arranged flower-beds, and elegantmusic-pavilion, as charmingly attractive as ever. Music is, as usual, a prominent feature here, and the pavilion in the centre of the courtis this year alternately occupied by Frencti s

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