. Peintres américains: Avec quatre-vingt-trois exemples de leur travail gravé sur le bois . onal. Et je ne condamne pas un artiste parce qu'il appartient à une école particulière. Si vous regardez pointue, vous trouverez bon dans tout travail d'un homme sérieux. Beauté dans le ton, en harmonie, nous pouvons tous reconnaître les coup d'œil de ATA, mais je ne vois pas où Corots Orphee l'a, bien que l'image soit évalué à dix mille dollars. Comment ? Est-ce que je me trompe ? Je dois être.pourtant mes yeux sont toujours rafraîchis par la nature toutes les vingt-quatre heures, et il me semble que je devrais voir quelque chose dans ces hommes s'ils l'ont en eux.Je peux vous montrer dans Whittred

• Contributeur: Reading Room 2020 / Alamy Banque D'Images
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. American painters: with eighty-three examples of their work engraved on wood . onal. And I dont condemn an artist because hebelongs to a particular school. If you look sharp, you will find good in anywork of an earnest man. Beauty in tone, in harmony, we can all recognize ata glance, but I cant see where Corots Orphee has it, although the picture isvalued at ten thousand dollars. How is it ? Am I mistaken ? I must be.Yet my eyes are always freshened by Nature every twenty-four hours, and itseems to me that I should see something in these men if they have it in them.I can show you in Whittredges studio some of the most beautiful studies evermade—studies that will compare favorably with the work of any landscape-painter in the world—studies of American scenery seen with his own eyes.Why dont we worship Whittredge instead of worshiping foreigners ? People like to be gagged a good deal—perhaps that is the reason—andthe picture-dealers are the ones that do it. They have made it fashionable tobuy European works. They have caused it to come about that Americans. CLIFFS OF IRONBOUND ISLAND, MAINE. From a Painting by Alfred Thompson Bricher. p. 148. joiin a. rh o un. 143 who profess to enjoy the sight of American pictures are considered to be offcolor; so that, according to the ideas of the last ten years in this country, there cannot be anything more degrading than to be an American artist.Why, if Whittredge had gone to England and lived there, he would havemade a fortune! That is what Boughton did. Some of his beautiful littlewinter-scenes, painted while he was in New York, brought here only fifty dol-lars. They are selling in England for five hundred. He never would havegotten thirty per cent, of his present prices if he had staid here. WinslowHomer, one of our truest and most accomplished artists, has never been ap-preciated in this country; but he carries things in his pictures a thousandmiles farther than Corot ever did. The fact is, that an artist should go d

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