3634 x 3817 px | 30,8 x 32,3 cm | 12,1 x 12,7 inches | 300dpi
Date de la prise de vue:
8 décembre 2014
Lieu:
Torcello, Venice, Italy
Informations supplémentaires:
The Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto, and containing the earliest mosaics in the area of Venice. According to an ancient inscription, it was founded by the exarch Isaac of Ravenna in 639. The original church is believed to have had a nave with one aisle on each side and a single apse on the eastern wall of the cathedral. The first of two major renovations occurred in 864 under the direction of Bishop Adeodatus II. In this renovation, the two aisle apses that appear today were built. Also, the synthronon that fills the central apse was created and the crypt was placed under it. The final renovation was consecrated under Bishop Orso Orseolo, whose father Pietro Orseolo II was the Doge of Venice at the time, in 1008. With this renovation, Orseolo raised the nave, added windows to the western wall, and created the arcade that runs along the nave on both sides separating it from the aisles and helping to support the clerestory. The most important artistic element of the cathedral is the mosaics. The main apse has an 11th-century mosaic of famous beauty of the standing Virgin Hodegetria, isolated against a huge gold background, above a register of standing saints. These seem originally late 11th-century, by a team of Byzantine mosaicists, but the main figure was reworked a century later after an earthquake, while the saints remain from the first period of work. The west wall (over the door) was done in this second phase: from the top it contains a Crucifixion in the gable, then a vigorous Harrowing of Hell with a large figure of Christ, above a Last Judgement taking up four lower registers.
