(Dpa) - compositeur et musicien d'avant-garde Karlheinz Stockhausen explique sa composition 'litanie 97' au cours de l'Église Européenne Schwaebisch Gmuend en Festival de musique, Allemagne, 26 juillet 1997. Un compositeur Karlheinz Stockhausen a constamment aventurée en territoire musical inconnu. Il était fasciné par le nouveau concept de "erialism' étaient examinés par Webern,

• Contributeur: dpa picture alliance / Alamy Banque D'Images
• ID de l’image: D3G3JP
• Taille du fichier: 10,2 MB (416,6 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1570 x 2270 px | 26,6 x 38,4 cm | 10,5 x 15,1 inches | 150dpi
• Date de la prise de vue: 26 juillet 1997
• Photographe: dpa

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(dpa files) - German composer and avant-garde musician Karlheinz Stockhausen explains his composition 'Litany 97' during the European Church Music Festival in Schwaebisch Gmuend, Germany, 26 July 1997. A progressive composer Karlheinz Stockhausen has consistently ventured into unknown musical territory. He was fascinated by the new concept of 'serialism' being pioneered by Webern, Messiaen, and Boulez. While studying with Messiaen in 1952, and meeting with Boulez around the same time, Stockhausen came into contact with early forms of electronic music which became the focus of his career and his favourite form of instrumentation. Notable achievements include the composition 'Klavierstueck XI' which consists of 19 note groups which are meant to be played in any order that the pianist chooses, and 'Mixtur', which melts the sounds of a conventional orchestra with the electronic melodies of ring modulators and a sine-wave generator. Years ahead of his time, Stockhausen set the stage for the rise of electronically based popular music. Among many other works, he composed and conducted 'Lucifer's Farewell', 'With Farewell', 'Orchestra Finalists' and 'Sunday from Light'. He was born in Burg Moedrath in Germany, 22 August 1928.

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