. Programme. , S'il est correctement interprété par M. Gaston Paris (Roumanie xxiv.131) affirme avoir écrit un ouvrage intitulé la danse. macabrfi L'étymologie du mot est obscure ; jusqu'à présent comme dans la forme, il serait peut-être une corruption populaire française macabg ofOld,  = Macchabée (un exemple de Judas Macabrl a été trouvé)et au xve siècle la danse de la mort a été appelée chorée Machaboeorum inLatin (Du Cange cite un document de 1453 Besangon) et Makkabensdans en néerlandais.M. Gaston Paris, toutefois, pense peut-être été macabre le nom de l'artiste l'image whopainted qui a proposé le

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. Programme. , if he be correctly interpreted by M. Gaston Paris (Romania xxiv.131) claims to have written a work called la danse macabrfi. The etymology of theword is obscure ; so far as its form is concerned it might be a popular corruption ofOld French, macabg = Maccabaeus (an example of Judas Macabrl has been found)and in the fifteenth century the Dance of Death was called chorea Machaboeorum inLatin (Du Cange cites a Besangon document of 1453) and Makkabensdans in Dutch.M. Gaston Paris, however, thinks Macabre may have been the name of the artist whopainted the picture which suggested the first poem on the subject.—The New EnglishDictionary. 14—Lydgate (title) The daunce of Machabree wherein is liuely expressed andshewed the state of manne, and howe he is called at Vnccertayne tymes by death, andwhen he thinketh least thereon. For a learned discussion of the French word see Gabriel Peignots Rechercheshistoriques et littgraires sur les Danses des Morts, pp. 80-89 (Dijon & Paris, 1826).. The Store That A eis TAILORMADES andKNOCKABOUTS for Women and Young Women -^ THE • SERVICE • STORE- Millinery Our showing of Spring Millinery is ready.Among our customers it is understood prettygenerally that they are not to expect from us anyformal notice of a Millinery Opening. We gaveup that custom some years ago and see no reasonfor restoring it. There is no day fixed for exhibiting all themodels that may be developed for the season. Weare daily receiving new millinery. Our own work-rooms supply us continuously, as rapidly as goodworkmanship permits, with reproductions of Frenchmodels made from imported materials. In this connection we would suggest that choiceof materials as well as style is an important factorin satisfactory millinery. That is why we searchthe Paris markets so carefully for materials bestsuited to the kind of hats our customers desire.There is something about imported trimmings, appropriately used, that gives to the hat the touchof individuality so

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