Roma, 1642. Silvestre, Israël, 1621-1691, graveur. 1642 le grand panorama vu d'un point de vue au-delà des murs est d'après un dessin de L. de Lincler. La légende identifie 44 sites, y compris Piazza del Popolo, Villa Borghese, Villa Médicis, SS. Trinità dei monti, Basilique SS. Ambrogio e Carlo, Palazzo Barberini, Castel Sant'Angelo, S. Andrea della Valle, et la Basilique de la Réf. : Faucheux 28. Anna Laetitia Pecci-Blunt a rassemblé des estampes, des œuvres publiées, des dessins et des peintures thématiques axées sur la ville de Rome. Sa collection comprenait des vues, des plans, des cartes de Rome et de Depi

• Contributeur: piemags/GB24 / Alamy Banque D'Images
• ID de l’image: 2WTBJM0
• Taille du fichier: 158,8 MB (8,8 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 16031 x 3463 px | 135,7 x 29,3 cm | 53,4 x 11,5 inches | 300dpi
• Date de la prise de vue: 13 septembre 2016

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Roma, 1642. Silvestre, Israël, 1621-1691, etcher. 1642 The large panorama seen from a vantage point beyond the walls is after a drawing by L. de Lincler. The legend identifies 44 sites, including Piazza del Popolo, Villa Borghese, Villa Medici, SS. Trinità dei monti, Basilica Ss. Ambrogio e Carlo, Palazzo Barberini, Castel Sant'Angelo, S. Andrea della Valle, and the Basilica of St. Peter's. Ref.: Faucheux 28. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome in the 1930's, interest in the city's past grew among certain circles in Rome. Pecci-Blunt's collection came to be known as "Roma Sparita" because of its nostalgic focus on the Rome of a bygone era. Pecci-Blunt marked many of the prints in her collection with her collector's marks. Small, circular marks found on the recto of the prints, typically in the lower right corner, display Pecci-Blunt's family coat of arms, a comet, encircled with the text: "Coll. C.ssa A. L. Pecci Blunt." Circular marks on the verso of the prints, typically in the lower center, denote Pecci-Blunt's name for her collection, "Roma Sparita." The stamps contain the text; "Roma Sparita, N...., " (with space for adding an inventory number), encircled with additional text "Collezione Contessa Anna Laetitia Pecci-Blunt."