Saint Martin et Saint Hilaire. Culture : le flamand. Dimensions : Diamètre (au-dessus de la mesure de l'ouverture de montage) : 6 1/2 in. (16,5 cm). Date : 1430-35. Cette cocarde, de concert avec trois autres dans la collection Lehman (1975.1.1906, 1975.1 et 1975.1.1907,.1909), et deux dans les cloîtres Collection (47.101.63 et 47,101.64), font partie de la même série de début franco-flamande du xve siècle broderies représentant des scènes de la vie de Saint Martin. À l'origine partie d'un ensemble beaucoup plus vaste (trente-six cocardes et les panneaux sont maintenant dispersés parmi des collections publiques et privées), les broderies ma

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: PAY02G
• Taille du fichier: 37,6 MB (1,9 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4200 x 3125 px | 35,6 x 26,5 cm | 14 x 10,4 inches | 300dpi
• Photographe: Album

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Saint Martin and Saint Hilary. Culture: Flemish. Dimensions: Diameter (above measurement of mount opening): 6 1/2 in. (16.5cm). Date: 1430-35. This roundel, together with three others in the Lehman Collection (1975.1.1906, 1975.1.1907, and 1975.1.1909), and two in The Cloisters Collection (47.101.63 and 47.101.64), form part of the same series of early fifteenth-century Franco-Flemish embroideries depicting scenes from the life of Saint Martin. Originally part of a much larger ensemble (thirty-six roundels and panels are now dispersed among public and private collections), the embroideries may have decorated a liturgical vestment, an altar frontal, or possibly a combination thereof, constituting a set of vestments. Having left the Roman army, Martin devoted himself to religious life and became a disciple of Saint Hilary, Bishop of Poitiers in France. Saint Martin is portrayed kneeling before the Bishop, who is ordaining him as acolyte. This series of embroideries, if not originally intended for a liturgical garment, may have embellished an altar frontal, similar to the blue covering that appears here on the altar behind the kneeling figure of Martin. The upper portion of the altar, adorned by a Crucifixion scene, may have been conceived as a painted or embroidered altar covering. Museum: Metropolitan Museum of Art, New York, USA.

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• 1430-35
• 15 15th xv xvth fifteenth century
• 15e siècle
• 16.5cm
• 2nd millennium a d
• 6 1/2
• atlas silk
• brodé
• couching
• diamètre